Terry Pratchett’s comic fantasy novels about the Discworld are a goldmine when it comes to definitions of and ideas about magic and witches.
The points he makes and the warnings he gives have a much wider application than just to his imaginary world and characters.
What he says is not always what some people expect or want to hear, but it is all worth considering and putting to the test.
Material from his books has appeared in several articles, and I have found a few more wise words to quote.
Using magic
Miss Tick gives more lessons to the young witch Tiffany Aching:
“’But can’t you use a keeping-warm spell?’ said Tiffany.
‘I could. But a witch doesn’t do that sort of thing. Once you use magic to keep yourself warm, then you’ll start using it for other things.’
‘But isn’t that what a witch is supposed to--‘ Tiffany began.
‘Once you learn about magic, I mean really learn about magic, learn everything you can learn about magic, then you’ve got the most important lesson still to learn,’ said Miss Tick.
‘What’s that?’
‘Not to use it. Witches don’t use magic unless they really have to. It’s hard work and difficult to control. We do other things.’”
This is not an easy lesson to learn. It may not at first make sense; it may not be acceptable. Despite that, a wise person will take it to heart. The senior witches in Terry Pratchett’s books know what they are talking about.
Thursday, 26 September 2019
Sunday, 15 September 2019
Rudyard Kipling and his Daemon
This article was inspired by a short anecdote
in Rudyard Kipling’s autobiographical work Something of Myself (1937).
This is where he tells us about his Daemon, a
kind of personal muse who he says inspired his writing. He tells us some very
interesting and significant things about this supernatural being.
The inspirational anecdote in summary is that
a man told Kipling a horror story that he said was a personal experience.
Kipling wrote it up but something stopped him from sending it to a publisher.
He was really glad about this when, ‘by chance’, he found the story, identical
in every way, in an old magazine. He gives credit to his Daemon for preventing
a charge of plagiarism, which would not be good for such a famous writer’s
reputation and would have been very stressful for him.
This may sound far-fetched, but other people
have had similar experiences although they may not attribute helpful inner
promptings and warnings to a daemon but, for example, to Providence, the
Universe or their subconscious minds. I have given examples of such positive
inner guidance in various articles.
Labels:
Daemon,
inner guidance,
intuition,
Rudyard Kipling,
Something of Myself,
writing
Monday, 26 August 2019
100 years of John Buchan’s Mr Standfast
This day, August 26th, is John Buchan’s birthday. This
article marks the 144th anniversary of his birth.
This year, 2019, is the 100th anniversary of the first publication of John Buchan’s spy thriller Mr Standfast.
Mr Standfast is the third book in the series of five Richard Hannay adventures; it follows Greenmantle and precedes The Three Hostages.
This year, 2019, is the 100th anniversary of the first publication of John Buchan’s spy thriller Mr Standfast.
Mr Standfast is the third book in the series of five Richard Hannay adventures; it follows Greenmantle and precedes The Three Hostages.
I think of Greenmantle and The Three Hostages
as being the best of the Richard Hannay books; I find Mr Standfast and The
Island of Sheep the least enjoyable to read; I put The Thirty-Nine Steps in the
middle of the two groups.
The main problem with Mr Standfast is the
effect that it doesn’t have. I find it less enthralling than other books in the
series. To me, Mr Standfast is more of the same; it is The Thirty-Nine Steps
with World War I scenes added.
Although most of the small amount of inspirational material that Mr Standfast contains has already appeared in two previous articles, there is still a little more to say about the book. I
want to highlight a few quotations and scenes that I particularly like.
Saturday, 3 August 2019
Terry Pratchett, L. M Montgomery and Fairyland
Terry Pratchett’s description of Fairyland in
The Wee Free Men has reminded me of a passage I came across recently in one of
L. M. Montgomery’s books. She too has something to say about the place.
Their views and descriptions are very different. Terry Pratchett is all negative while L. M. Montgomery is all positive.
Their views and descriptions are very different. Terry Pratchett is all negative while L. M. Montgomery is all positive.
Terry Pratchett describes a kind of hell universe
that people are relieved to escape from while L. M. Montgomery describes a
heavenly paradise that produces an unbearable sense of loss in people who have
been banished from it forever.
Terry Pratchett’s Fairyland is an actual
world than can be visited by a few select people while L. M. Montgomery’s,
although not open to most people, is an inner world.
Terry Pratchett’s Fairyland drains real
worlds and has nothing to give while L. M. Montgomery’s world is a wellspring
of wonders that can be brought out into our world and shared.
L. M. Montgomery’s description of Fairyland
leaves out something important that Terry Pratchett highlights.
Tuesday, 30 July 2019
Two home truths from Terry Pratchett
Lucy Maud Montgomery, Stella Benson and August
Strindberg have inspired many articles to date, and there are still more to
come - eventually.
Doing is better than dreaming
Although it was very interesting to find more
independent confirmation of some of my ideas and familiar features and
scenarios in their lives and works, it was very depressing to read about the
suffering they endured, self-imposed or otherwise.
I needed to take a break from these people as
it was all getting too much. Terry Pratchett’s Discworld novels were one of the
best antidotes that I could think of.
I decided to take a second look at the books featuring
the young witch Tiffany Aching and her little friends the Nac Mac Feegle. In
addition to distraction and entertainment, I hoped to find some more wise words
about magic and witches.
I soon found some article-inspiring material in The
Wee Free Men, the first book in the Tiffany Aching series. Terry Pratchett makes some good points here.
He says that doing is better than dreaming in
that working, thinking and learning are more beneficial, productive and effective than just
wishing for things and repeating vague motivational phrases about following our
star.
He also says that getting what we need is usually better for us than getting what we want.
He also says that getting what we need is usually better for us than getting what we want.
Doing is better than dreaming
There is a scene in The Wee Free Men where
the senior witch Miss Tick gives the young witch Tiffany some very useful
advice:
Miss Tick sniffed. “You could say this advice
is priceless,” she said.
“Are you listening?”
“Are you listening?”
“Yes,” said Tiffany.
“Good. Now…if you trust in yourself…”
“Yes?”
“…and believe in your dreams…”
“Yes?”
“…and follow your star…” Miss Tick went on.
“Yes?”
“…you’ll still get beaten by people who spent
their time working hard and learning things and weren’t so lazy.”
This is very true. I have seen it for myself.
Sunday, 21 July 2019
Stella Benson and L. M. Montgomery
This article summarises a few common elements
in the lives of novelists Lucy Maud Montgomery and Stella Benson.
They both had something to say about the feeling of being innately different from the people around them and the horrors of having to live an ordinary life. They both came to realise that their marriage was a terrible mistake.
Shared feelings of being different
Feeling fundamentally different is so common in creative people as to be almost a cliché. I have quoted Kathleen Raine on the subject.
As previously mentioned, Stella Benson felt different in kind from the throng of ‘real girls’ who surrounded her. Sometimes she felt superior to them. She wrote, “I know I have something infinitely more important which these giggling girls have not.“
They both had something to say about the feeling of being innately different from the people around them and the horrors of having to live an ordinary life. They both came to realise that their marriage was a terrible mistake.
Shared feelings of being different
Feeling fundamentally different is so common in creative people as to be almost a cliché. I have quoted Kathleen Raine on the subject.
This feeling usually goes with the territory, although they don’t
all go as far as Stella Benson did and believe that they have the souls of snakes!
As previously mentioned, Stella Benson felt different in kind from the throng of ‘real girls’ who surrounded her. Sometimes she felt superior to them. She wrote, “I know I have something infinitely more important which these giggling girls have not.“
L. M. Montgomery too felt this way. I
mentioned in a previous article that, like many others of her kind, she felt
that she did not fully belong in this world. She seems ambivalent about this:
“It was really dreadful to be so different
from other people…and yet rather wonderful, too, as if you were a being strayed
from another star.”
From Anne of Windy Poplars
Friday, 5 July 2019
Taylor Caldwell’s gods and Terry Pratchett’s elves
Taylor Caldwell and Terry Pratchett wrote
very different types of books, but they both touched on the subject of humans
as playthings of evil and sadistic supernatural beings.
They describe one aspect of this phenomenon
in much the same way, although they use different words and blame different paranormal
entities.
From Taylor Caldwell’s Romance of Atlantis:
“...the gods amuse themselves by tormenting
us. They fire us with thirst, then give us stagnant water with which to quench
that thirst. They endow the sensitive with majestic desires, with yearnings for
beauty, with radiant spirits with which they might enjoy glorious things, and
then let these unhappy wretches eat out their hearts in unsatisfied longings.“
Terry Pratchett’s Discworld novel Lords and
Ladies contains some warnings about elves. I quoted him in an article about
energy vampires. Here is a relevant extract:
“All they can give is gold that melts away in
the morning. They make us want what we can't have, and what they give us is
worth nothing and what they take is everything and all that is left for us is
the cold hillside and emptiness and the laughter of the elves.”
Being tormented by unsatisfied longings, being
made to want what they can’t have and being left empty and desolate happens to
people in this world too. What the two authors say above will seem spot
on to them, a perfect description of what happened to them and how they feel about it.
Taylor Caldwell’s Atlantean gods, who sound
more like demons to me, can’t be blamed for this misery in our world, nor can Terry Pratchet’s
malevolent Discworld elves.
Is this suffering just a part of life for
certain types of people, divine discontent and all that, or are sinister unseen
influences at work in our world too?
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