Showing posts with label Memory Hold-the-Door. Show all posts
Showing posts with label Memory Hold-the-Door. Show all posts

Saturday, 11 November 2023

Something about John Buchan and the colour green

After listing some connections and references to the colour green in the life and works of Sir Arthur Conan Doyle and covering some similar occurrences of this colour in the life and works of Rudyard Kipling, the next step was to look for green connections in the life and works of John Buchan. 

Buchan's works certainly contain a very large number of references to the colour green, but they are mostly casual and incidental. Many come from his frequent and routine descriptions of landscapes and the sea for example, and some just describe clothes of a colour suitable for wearing in the countryside and other wide open spaces. His books would greatly shrink if all these adjectives of colour were removed, but this would make little difference to most of the stories!

Even so, I have found some green references that can't be discounted quite so easily.

Buchan's exciting adventure story Greenmantle is an obvious candidate for inclusion, but its green aspects have mostly been covered already. 

The colour green in The Three Hostages
The Three Hostages has also been the subject of a previous article, but the green elements were not mentioned as they were not of particular interest at the time. 

A major character is called Doctor Greenslade.

One of the cryptic clues to the location of the hostages is “the green fields of Eden”.

One of the hostages, who is hidden in plain sight in a low-class dance hall, is frequently referred to as “the girl in green”.

A small green bottle plays a large part in defeating the villain Dominick Medina.

When Richard Hannay is sent for treatment to the practitioner Madame Breda, he finds that her front door has been newly painted a vivid green.

Richard Hannay tells his young friend Archie Roylance to look out for a green light. Archie is a great birdwatching enthusiast; nesting greenshanks and green sandpipers are mentioned in this connection.

Minor references include a set of green Chinese jars and a green herb fire.

Friday, 26 August 2016

Today is the 141st anniversary of John Buchan’s birthday

John Buchan was born on this day, August 26th, in 1875.

His birthplace was Perth, Scotland. The house where he was born fell into disrepair, but together with the house next door is being extensively refurbished and set to be turned into offices. Other than a small plaque, there will be no evidence remaining that John Buchan ever lived there.


John Buchan House, 20 York Place, Perth

The new Buchan Story Heritage Museum in Peebles explores his life and works. They are acquiring, preserving and displaying many interesting exhibits. Buchan was the Conservative candidate for Peebles, which is to the south of Edinburgh, and his family had many associations with the area.


The new Buchan Story Museum in Peebles

The John Buchan Way is a commemorative walking route from Peebles to the Borders.

I am not in a position to make pilgrimages to these far-away places to mark the occasion; London, where Buchan came to live early in 1900, is another matter. I am very familiar with many of the central London locations that he visited, lived and worked in and wrote about. I often go through and past them on the bus.

John Buchan and London, his ‘magical city’
This is a very evocative description:

The spell of London wove itself around me. Fleet Street and the City had still a Dickens flavour, and Holywell Street had not been destroyed. In the daytime, with my fellow solicitor's-clerk, I penetrated into queer alleys and offices which in appearance were unchanged since Mr. Pickwick's day. On foggy evenings I would dine beside a tavern fire on the kind of fare which Mr. Weller affected. Behind all the dirt and gloom there was a wonderful cosiness, and every street corner was peopled by ghosts from literature and history. I acquired a passion for snugness, which I fancy is commoner in youth than is generally supposed. A young man, a little awed by the novelty of everything, is eager to find his own secure niche…

London at the turn of the century had not yet lost her Georgian air. Her ruling society was aristocratic till Queen Victoria's death and preserved the modes and rites of an aristocracy. Her great houses had not disappeared or become blocks of flats. In the summer she was a true city of pleasure, every window-box gay with flowers, her streets full of splendid equipages, the Park a showground for fine horses and handsome men and women. The ritual went far down, for frock-coats and top-hats were the common wear not only for the West End, but about the Law Courts and in the City. On Sunday afternoons we dutifully paid a round of calls. Conversation was not the casual thing it has now become, but was something of an art, in which competence conferred prestige. 

Also clubs were still in their hey-day, their waiting lists were lengthy, and membership of the right ones was a stage in a career. I could belong, of course, to none of the famous institutions; my clubs were young men's clubs, where I met my university friends. One was the Cocoa Tree in St. James's Street, a place with a long and dubious history, of which the bronze cocoa-tree in the smoking-room, stuffed with ancient packs of cards, was a reminder. At that time its membership was almost confined to young men from Oxford and Cambridge. I belonged also to the Bachelors', then situated at the foot of Hamilton Place, a pleasant resort for idle youth, from whose bay- windows one could watch the tide of fashion flowing between Hyde Park and Piccadilly.”

From John Buchan’s autobiographical memoir Memory Hold-the-Door

Although some aspects are unchanged, much of what John Buchan describes has gone for ever - including the foggy Victorian atmosphere. The streets he mentions still exist, but many of the shops and buildings have gone and the people in these streets are of very different demographics with very different lifestyles from those of Victorian and Edwardian gentlemen. I wish I could go back in time and visit John Buchan’s London!

John Buchan may have felt snug and secure in London, but some of his investigative and hunted heroes saw it as a dangerous and sinister place where they were watched, threatened, pursued and attacked. It is possible to retrace the routes that Richard Hannay and Sir Edward Leithen took and visit some of the featured central London locations, but the traffic and the masses of tourists and shoppers make it impossible to recreate the paranoia-inducing atmosphere that the fictional action took place in. The poor air quality is the most dangerous aspect now.

John Buchan and Portland Place
I have mentioned Portland Place in the Marylebone district of central London in connection with Masonic associations and street patterns that look like Olympic torches.

There are also some connections with John Buchan: he lived at no. 76 from 1912 to 1919; he wrote The Thirty-Nine Steps while he was ill in bed there. Richard Hannay resided in a flat in Portland Place; he was known to the public and the police as the Portland Place murderer.

The Georgian terraced house where John Buchan lived was later demolished together with its neighbour and replaced with a bland, contemporary office building. No. 76 recently became the new home of the Royal Institute of British Architects.

As I was visiting the area this week, I decided to take a look at some buildings of interest in Portland Place, no. 76 in particular. 

The notorious no. 33 appears unoccupied. There is nothing to show that John Buchan ever lived in a house on the site of no. 76; there really should be a blue plaque on the outside. There was once a plaque in the foyer, but it went missing during some recent renovations. All we have now is the photographic record.

John Buchan deserves a much better London memorial than this:



Thursday, 11 February 2016

The Gap in the Curtain: John Buchan nails it once again

The Gap in the Curtain is not one of John Buchan’s best-known works. It is not a story of excitement and adventure either: no thriller, it has a supernatural or paranormal theme and has been described as borderline science fiction. 

The Gap in the Curtain features the lawyer Sir Edward Leithen, another of Buchan’s heroes and narrator of the story, and Professor August Moe, a brilliant physicist and mathematician. 

The story starts with a dinner party. Leithen, who is extremely tired from overworking and close to the end of his tether, had been in two minds about accepting the invitation. He feels a little better when he notices that several other guests around the table are not looking too good either: they seem nervous, under the weather, ill, tired or even exhausted:

I was free to look about me. Suddenly I got a queer impression. A dividing line seemed to zigzag in and out among us, separating the vital from the devitalised. There was a steady cackle of talk, but I felt that there were silent spaces in it. Most of the people were cheerful, eupeptic souls who were enjoying life... But I realised that there were people here who were as much at odds with life as myself...”