The Island of Sheep, published as The Man from the Norlands in the US, is the fifth and final book in the series of John Buchan’s Richard Hannay adventures; it follows The Three Hostages.
The Island of Sheep was first published in July 1936, so its 84th anniversary is this month.
I said in the article about Mr Standfast that The Island of Sheep was lower in my estimation than The Thirty-Nine Steps, Greenmantle and The Three Hostages. The latter was published in 1924; the 12-year gap between The Island of Sheep and its immediate predecessor suggests to me that John Buchan had finished with Richard Hannay but finally gave in to pressure from publishers and demands from dedicated Hannay fans for more exciting adventure stories.
The new thriller that he produced does not in my opinion have the appeal of some of the earlier books. Something is missing. Rudyard Kipling would have said that Buchan’s creative spirit or daemon was not involved in the construction process.
Much of the material is familiar from the previous books; there are many descriptions of fishing, wildlife, sheep and Buchan’s beloved Scottish landscape and its people for example.
There isn’t much that inspires commentary apart from a few miscellaneous passages and Richard Hannay’s ambivalent feelings and ideas about his comfortable life.
Richard Hannay’s inner conflicts
At the start of The Three Hostages, Richard Hannay was living a quiet life as a country gentleman. He had paid his dues and earned it. Having to leave it all to go on a mission seemed like a fate worse than death to him.
At the start of The Island of Sheep, Richard Hannay has been living the quiet life for many years. His attitude towards it has changed: it is much more complicated and ambivalent this time around.
Showing posts with label The Courts of the Morning. Show all posts
Showing posts with label The Courts of the Morning. Show all posts
Wednesday, 1 July 2020
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