A scene of special interest from a Dion Fortune occult novel

There are a few scenes in Dion Fortune's occult novels that have particular relevance to some of the material on here. 

These scenes contain familiar elements; they provide supporting evidence for some key theories about certain metaphysical influences and phenomena; they enable people to put similar experiences into a wider context and learn some useful lessons.

This post features one of these scenes. It caught my attention when I was skimming through Dion Fortune's novel The Demon Lover (1927). It describes the negative effect that a girl who is being controlled by an evil entity has on someone she encounters.

Bad energy repels the doctor
A mediumistic young girl called Veronica Mainwaring is a major character in The Demon Lover. While she is harmless in herself, everything changes when she comes under the hypnotic influence of a black magician called Justin Lucas.

After his death, he uses her to help him drain children of their vital energy so that he can materialise; some of the children die.

Possessed by the spirit of Lucas, a huge mastiff goes crazy and kills the doctor's son; this man had hoped to marry Veronica, so Lucas saw him as a rival.

Veronica is taking her morning walk when the doctor drives past in his dog cart:

“He gave her one glance, and shaking the reins, drove swiftly past without any other sign of recognition than was conveyed by that look of hate and repulsion.”

The doctor knows nothing but senses everything:

“...there was something about the girl which did not fall within the laws of his three-dimensional universe. What it was, he could not define, even to himself, but he hated and dreaded her as children and dogs hate and fear, without reason assigned, yet with an unerring instinct.“

The doctor senses that Veronica is overshadowed by Lucas's malign influence, he is repelled by the negative energy around her, and his intuition rightly tells him that she was somehow involved in his son's death. No wonder that he hates and fears and hurries away from her. 

Veronica behaves in a similar way towards the huge killer dog that she has inherited from Lucas. She is a dog lover and at first she quite likes the friendly old thing, but this changes after he comes under the evil influence of the dead Lucas:

“...to Veronica...the whole ‘feel’ of dog, kennel, and surroundings was so repellent that she drew hastily back and hurried away from the yard and its sinister occupant.”

A few quotations from Dion Fortune's occult novels

In addition to her non-fiction books, the occultist Dion Fortune wrote five novels. While the stories themselves don't inspire commentary, some of the expressions and observations in these novels really stand out and are worth highlighting. 

This article contains a few propositions that particularly resonated when I first came across them.

Beggars can't be choosers

“...it does not do to be angry with life unless one has private means...”

From The Winged Bull (1935)

These wise words may be painful to read and difficult to accept, but they are very true. This may be a bitter pill to swallow, but the difference between operating from a position of weakness and operating from a position of strength is often a matter of financial independence. 

Some people just can't afford to have any feelings or views; they would make things worse for themselves and lose what little they have by challenging someone or something. 

People who have private means, money that is not dependent on the employment market or the whims of other people, are very fortunate: they don't need to put up with the hardships, ill-treatment and injustices that wage slaves and penniless people are forced to endure. 

They can afford to take a stand and fight for their cause.

Independence of mind is another great advantage

“People who value public opinion are at a very great disadvantage in dealing with people who don't.”

From The Sea Priestess (1938)

This proposition complements the one above.  It can also apply to people who overvalue the opinions of the people around them.

People who value public opinion can indeed be greatly handicapped when both dealing and competing with people who don't. 

People pleasers and others who care very much what people in general think of them are operating from a position of weakness. They may feel that they can't afford to get angry, say what they really think or do what they really want to do. Fear of negative reactions and manipulations such as criticism, disapproval, reproaches and rejection may hold them back and keep them in their place while people who don't care what others think of them forge ahead. 

People who are indifferent to public opinion operate from a position of strength. They have independent means – on the inside. They can afford to be straight with other people. They have the courage of their convictions; they take their own path through life, going where the other lot can't follow. 

Anyone who has both financial and psychological independence is very fortunate indeed.

A few words about some fictional elves and ghosts

There are a few similarities between the elves in Terry Pratchett’s Discworld books and the ghosts in fantasy writer Jonathan Stroud’s wonderful Lockwood & Co. series.

Terry Pratchett’s elves have no redeeming qualities; they are vicious, cruel, malevolent and dangerous to humans. I have quoted some of the things that he says about them in an article featuring energy vampires .

Jonathan Stroud says similar things about his ghosts. They are malevolent and dangerous to the living. There is nothing good to say about them.

Terry Pratchett’s elves enter the world through gaps in the defences, through what could be described as weak points in the barrier between Fairyland and the Discworld; the ghosts too enter via windows or portals, spots where the barrier between this world and the next has grown thin.

Both the elves and the ghosts cause their victims to experience terrible feelings; they may even lose the will to live.

It takes the Discworld witches to deal successfully with the elves; in the alternative London of the Lockwood series, only children and teenagers with certain psychic talents are able to detect, deal with and destroy the ghosts.

Something about Project Gutenberg

Many articles on here say that a particular book is available on Project Gutenberg. This post contains some basic information that someone who is unfamiliar with the enterprise may find useful. 

Project Gutenberg websites host thousands of free-to-read books that are in the public domain. Their copyrights have expired. They can be read online in various languages, formats and editions. Books can even be downloaded from the digital library.

There is a lot of general information about Project Gutenberg in Wikipedia and on the Project websites themselves. It is best for interested people to go direct to the sources and look at the rules, the catalogues and the search and other options, but I want to say a few things about my experiences of using this wonderful resource. 

I prefer paper books, preferably with the original illustrations, but have little space for a library of my own. Project Gutenberg is an ideal place to find the classics, some old friends and books whose printed versions are very expensive or unavailable. Some of the eBooks even have illustrations.

I may want to refer to certain books from time to time; going to Project Gutenberg saves me from having to keep getting them from the public library or storing my own copies. It is often much easier to search the digital copies for remembered topics or phrases than it is to try to find something in a printed book.

Strindberg’s string of misfortunes: Part I

The Swedish playwright and essayist August Strindberg endured much bad luck and a long string of misfortunes, some serious, in 1896. Everything went wrong; his life became one long nightmare. It was as if he had been cursed. There were some strange events and uncanny coincidences in the case too.

I first learned about this episode in Strindberg’s life from The Occult by Colin Wilson, who got his information from Strindberg’s autobiographical novel Inferno. This bizarre book, which can be found on Project Gutenberg, is based on the diary that Strindberg kept at the time. 

Strindberg believed that he had brought all his troubles on himself and attracted evil influences into his life by deliberately using his special powers in an attempt to practise psychological black magic.

There is much material of interest and some familiar features in this case. It will take more than one article to summarise even the most relevant and significant details of the nightmare episode, provide a commentary and make some connections.

We begin with some information about when and why the trouble started.

An obvious starting point

As described in many articles, there have been occasions in my life when, after going for days, weeks, months, even years without anything unusual to report, I suddenly experience a string of minor misfortunes. There is an obvious starting point to the incidents; they stand out in comparison with the preceding uneventful days.

It seems to me very significant that Strindberg was going through a good patch in his life just before it all went wrong. In his own words:

“The summer and autumn of the year 1895 I count, on the whole, among the happiest stages of my eventful life. All my attempts succeed; unknown friends bring me food as the ravens did to Elijah. Money flows in; I can buy books and scientific instruments...”

Then he did something that caused it all to go into reverse. There is an obvious starting point to his misfortunes, which stand out in comparison with his prior easy existence.

Stella Benson and the sponging Russian count

Stella Benson’s life and works are inspiring many articles, and still the end is nowhere near in sight.

This article is about her involvement with a sponging expatriate Russian count; it involves a familiar personality type and associated scripted scenario.

Stella Benson generously helped this poor old man and made great efforts on his behalf, only to be met with insults, lies, delusions and ingratitude followed by yet more demands and hard-luck stories.

Stella Benson meets Count Nicolas

Stella Benson first met the frail, pathetic, penniless old man who called himself Count Nicolas de Toulouse Lautrec De Savine in April 1931. He was in a free bed in a charity hospital in Hong Kong at the time.

She felt very sorry for him even though he immediately started lying to her. He may have been confused and delusional rather that deliberately deceitful though. He told her that he had no money at all, then some fell out of his pocket. He showed her a picture of someone he said was a princess who had been crazy about him - it was an advertisement!

Stella Benson helps Count Nicolas

Count Nicolas was a mess of a person. Stella saw him as a free spirit broken by adversity. She decided to transcribe some of his ‘memoirs’ in the hope of selling them and getting some money for him.

She started to produce a book that consisted of both his reminiscences - or fantasies - and her commentaries on them. It was later published as Pull Devil, Pull Baker (1933). She gave him a very generous advance payment, but after Count Nicolas moved on he started sending her very frequent begging letters.

Then he appeared on her doorstep, ill and destitute. She gave the ‘silly old cadger’ some more money.

Lucy M. Boston, her birthday and her memoirs

The English novelist Lucy M. Boston, who is often known as L. M. Boston, was born on December 10th 1892. She was over 60 when her first book was published, and she lived to the age of 97.

She is of interest to me mainly because of her book An Enemy at Green Knowe. The enemy in the title is the scholar, black magician and demon-possessed witch Dr. Melanie Powers, who has been mentioned in passing in a few articles. This is the only book in which Lucy M. Boston writes at length about the battle between good and evil.

There is little in Lucy M. Boston’s life to explain where Melanie Powers and her very familiar characteristics and behaviour came from; unlike Nicholas Stuart Gray’s and Diana Wynne Jones’s witches, she was not based on the author’s mother: Lucy M. Boston’s mother was unhappy and neglectful, but not cruel and evil.

However, the magical house Green Knowe, whose name appears in the titles of her series of children’s fantasy books, is taken directly from Manor House, which was built by the Normans around the year 1130 and was her home for almost 50 years.

Manor House is still in the Boston family and is now open to the public. Maybe I will go to see it some time.