Ghosts and glamour in Jonathan Stroud's Lockwood books

This is yet another article in the series inspired by Jonathan Stroud's Lockwood & Co. books. 

The temptation articles stress how important it is to be wary of people who offer positions of power and to think about their motives. This article has something to say about how important it is to avoid falling under the spell of people and other entities with very glamorous images and to think about what they might be hiding. 

There are questions to ask and lessons to be learned.

Why do some people need to create a very glamorous image? What is behind the alluring façade? What are they concealing below the surface? Is the glittering image all that they have got to attract and influence people with?

Perhaps evil people need glamour in a way that good people do not.

Perhaps glamour, like the Attack-dog Syndrome, is a dead giveaway.

It is essential to understand that many people – and other entities - who at first sight appear to be angels may turn out to be demons!

As with the temptation articles, there are a few references to relevant material in books by other authors.

More about a beguiling ghost
In The Whispering Skull, Lucy Carlyle saves her colleague George Cubbins from the ghost of the evil Doctor Edmund Bickerstaff; in The Empty Grave, George returns the favour by saving Lucy from being destroyed by a glamorous theatrical ghost.

George had been unable to resist the spells of Dr. Bickerstaff and his artefact, but luckily for him Lucy managed to foil the evil necromancer. Lucy however was unable to resist the spell of the Visitor in the theatre; without George’s intervention she would have been lured to her death.

The factors that led to Lucy's vulnerability have already been covered, but there is something more to say about this encounter.

Antonia White, Terry Pratchett, snakes and a big coincidence

The novelists Antonia White and Stella Benson have more in common than biographical material that has a very depressing and exasperating effect on impressionable readers.

Stella Benson’s love of snakes  has already been covered; I have recently learned that, at least as a child, Antonia  White was a snake lover too. Not only that, but just like Stella Benson she was taken behind the scenes at London Zoo to meet some snakes.

Antonia White was a small girl and Stella Benson an adult when they visited the snakes, which was around 1904/05 for Antonia and in 1917 for Stella. The big coincidence here is that the same person was involved in both invitations to see the snakes up close.

How the visits came about
As previously mentioned, Stella Benson’s privileged visits came about because at the time she was staying with a friend whose husband, Edouard (sometimes anglicised to Edward) Boulenger, was Director of Reptiles at London Zoo.

Some years earlier, Antonia’s father had been great friends with both the eminent Belgian zoologist George Boulenger and his son the above-mentioned Edouard, who at the time was Curator of Reptiles at London Zoo.

Edouard conducted Antonia on tours of the snake cages. She loved holding some of them, which neither of her parents had the courage to do.

Stella Benson felt that she had the soul of a snake. Antonia White sometimes felt less than human. Perhaps they both felt drawn to snakes because they had reptilian-like personalities.

John Masefield’s Box of Delights & Terry Pratchett’s Hogfather

This time last year, John Masefield’s Box of Delights was featured.  The story ends on Christmas Eve, which makes it very suitable reading for the holiday season.

Now it is the turn of Terry Pratchett’s festive fairytale Hogfather (1996). 

The Hogfather is a Discworld character. He is similar to Father Christmas: he is a mythical fat and jolly bearded man who wears red and white and brings presents for the good children of Discworld on Hogswatchnight (December 32nd). He travels by sleigh; it is drawn by pigs rather than reindeer though. 

Although some readers say that Hogfather is Terry Pratchett’s best book, it is not at the top of my list: that place is occupied by his books about the Discworld witches!

There is not much in Hogfather that inspires commentary, however I noticed some interesting similarities and common themes and elements in these two very different seasonal stories and decided to list a few of them.

A few common features
A big metaphysical battle is a major theme in both books.

In The Box of Delights the battle is between good and evil; in Hogfather it is between rationality and belief. It is about logic and rules versus magic and mythology.

More magic and witch wisdom from Terry Pratchett

Terry Pratchett’s comic fantasy novels about the Discworld are a goldmine when it comes to definitions of and ideas about magic and witches.

The points he makes and the warnings he gives have a much wider application than just to his imaginary world and characters. 

What he says is not always what some people expect or want to hear, but it is all worth considering and putting to the test. 

Material from his books has appeared in several articles, and I have found a few more wise words to quote. 

Using magic
Miss Tick gives more lessons to the young witch Tiffany Aching:

“’But can’t you use a keeping-warm spell?’ said Tiffany.

‘I could. But a witch doesn’t do that sort of thing. Once you use magic to keep yourself warm, then you’ll start using it for other things.’

‘But isn’t that what a witch is supposed to--‘ Tiffany began.

‘Once you learn about magic, I mean really learn about magic, learn everything you can learn about magic, then you’ve got the most important lesson still to learn,’ said Miss Tick.

‘What’s that?’

‘Not to use it. Witches don’t use magic unless they really have to. It’s hard work and difficult to control. We do other things.’”

This is not an easy lesson to learn. It may not at first make sense; it may not be acceptable. Despite that, a wise person will take it to heart. The senior witches in Terry Pratchett’s books know what they are talking about.

Terry Pratchett, L. M Montgomery and Fairyland

Terry Pratchett’s description of Fairyland in The Wee Free Men has reminded me of a passage I came across recently in one of L. M. Montgomery’s books. She too has something to say about the place.

Their views and descriptions are very different. Terry Pratchett is all negative while L. M. Montgomery is all positive.

Terry Pratchett describes a kind of hell universe that people are relieved to escape from while L. M. Montgomery describes a heavenly paradise that produces an unbearable sense of loss in people who have been banished from it forever.

Terry Pratchett’s Fairyland is an actual world than can be visited by a few select people while L. M. Montgomery’s, although not open to most people, is an inner world.

Terry Pratchett’s Fairyland drains real worlds and has nothing to give while L. M. Montgomery’s world is a wellspring of wonders that can be brought out into our world and shared.

L. M. Montgomery’s description of Fairyland leaves out something important that Terry Pratchett highlights.

Two home truths from Terry Pratchett

Lucy Maud Montgomery, Stella Benson and August Strindberg have inspired many articles to date, and there are still more to come - eventually.

Although it was very interesting to find more independent confirmation of some of my ideas and familiar features and scenarios in their lives and works, it was very depressing to read about the suffering they endured, self-imposed or otherwise.

I needed to take a break from these people as it was all getting too much. Terry Pratchett’s Discworld novels were one of the best antidotes that I could think of.

I decided to take a second look at the books featuring the young witch Tiffany Aching and her little friends the Nac Mac Feegle. In addition to distraction and entertainment, I hoped to find some more wise words about magic and witches.

I soon found some article-inspiring material in The Wee Free Men, the first book in the Tiffany Aching series. Terry Pratchett makes some good points here.

He says that doing is better than dreaming in that working, thinking and learning are more beneficial, productive and effective than just wishing for things and repeating vague motivational phrases about following our star.

He also says that getting what we need is usually better for us than getting what we want.

Doing is better than dreaming

There is a scene in The Wee Free Men where the senior witch Miss Tick gives the young witch Tiffany some very useful advice:

Miss Tick sniffed. “You could say this advice is priceless,” she said. 

“Are you listening?”

“Yes,” said Tiffany.

“Good. Now…if you trust in yourself…”

“Yes?”

“…and believe in your dreams…”

“Yes?”

“…and follow your star…” Miss Tick went on.

“Yes?”

“…you’ll still get beaten by people who spent their time working hard and learning things and weren’t so lazy.”

This is very true. I have seen it for myself.

Taylor Caldwell’s gods and Terry Pratchett’s elves

Taylor Caldwell and Terry Pratchett wrote very different types of books, but they both touched on the subject of humans as playthings of evil and sadistic supernatural beings.

They describe one aspect of this phenomenon in much the same way, although they use different words and blame different paranormal entities.

From Taylor Caldwell’s Romance of Atlantis:

“...the gods amuse themselves by tormenting us. They fire us with thirst, then give us stagnant water with which to quench that thirst. They endow the sensitive with majestic desires, with yearnings for beauty, with radiant spirits with which they might enjoy glorious things, and then let these unhappy wretches eat out their hearts in unsatisfied longings.“

Terry Pratchett’s Discworld novel Lords and Ladies contains some warnings about elves. I quoted him in an article about energy vampires. Here is a relevant extract:  

“All they can give is gold that melts away in the morning. They make us want what we can't have, and what they give us is worth nothing and what they take is everything and all that is left for us is the cold hillside and emptiness and the laughter of the elves.”

Being tormented by unsatisfied longings, being made to want what they can’t have and being left empty and desolate happens to people in this world too. What the two authors say above will seem spot on to them, a perfect description of what happened to them and how they feel about it.

Taylor Caldwell’s Atlantean gods, who sound more like demons to me, can’t be blamed for this misery in our world, nor can Terry Pratchet’s malevolent Discworld elves.

Is this suffering just a part of life for certain types of people, divine discontent and all that, or are sinister unseen influences at work in our world too?

A few words about some fictional elves and ghosts

There are a few similarities between the elves in Terry Pratchett’s Discworld books and the ghosts in fantasy writer Jonathan Stroud’s wonderful Lockwood & Co. series.

Terry Pratchett’s elves have no redeeming qualities; they are vicious, cruel, malevolent and dangerous to humans. I have quoted some of the things that he says about them in an article featuring energy vampires .

Jonathan Stroud says similar things about his ghosts. They are malevolent and dangerous to the living. There is nothing good to say about them.

Terry Pratchett’s elves enter the world through gaps in the defences, through what could be described as weak points in the barrier between Fairyland and the Discworld; the ghosts too enter via windows or portals, spots where the barrier between this world and the next has grown thin.

Both the elves and the ghosts cause their victims to experience terrible feelings; they may even lose the will to live.

It takes the Discworld witches to deal successfully with the elves; in the alternative London of the Lockwood series, only children and teenagers with certain psychic talents are able to detect, deal with and destroy the ghosts.

A very good definition of a witch

I found a very good definition of a witch recently, from a writer I had never previously heard of:

“Perhaps I am the only person who, asked whether she were a witch or not, could truthfully say, ‘I do not know. I do know some very strange things have happened to me, or through me.’"
 From Bless This House by Norah Lofts

This is independent confirmation of something I have been thinking and writing about for many years. Strange things, both good and bad, do indeed happen to, through and around some people; the speaker above is far from being the only person to experience strange phenomena.

Synchronicity, very good or very bad timing and amazing coincidences are often involved, and so are what might be called blessing and, its opposite, cursing. The same person may be able to perform both actions:

“’Blessings be on this house,’ Granny said, perfunctorily. It was always a good opening remark for a witch. It concentrated people's minds on what other things might be on this house.”

From Witches Abroad by Terry Pratchett

Terry Pratchett’s witch books are very amusing, with occasional serious comments and thought-provoking ideas about magic and witches. 

“There were really only four types of people in the world: men and women and wizards and witches.”

From I Shall Wear Midnight by Terry Pratchett

Stella Benson’s Living Alone: Part I

I recently re-read Stella Benson’s fantasy novel Living Alone to see what she has to say about witches. As with many other books featured on here, I first read it many years ago and just for entertainment. 

At the time, I overlooked things that now seem very significant indeed; I now see that there is enough material about witches, wizards and magic to generate more than one article.

There are also some autobiographical elements in the book; they will be included in an article about Stella Benson herself.

Part I starts with an overview of Living Alone and continues with some material from the book about magic and its practitioners.

About Living Alone

Living Alone consists of just ten chapters, so it is sometimes called a novella.

Living Alone has been described as a comedy, but it mentions desolation and has a horrible ending.

It is a very strange and unusual book, yet there are some familiar elements:

There are whimsical descriptions in Living Alone that make me think of J. M. Barrie’s Peter Pan.

The witches and their broomsticks in the book remind me of Terry Pratchett's witches.

There are a few scenes that remind me of the use of magic in Diana Wynne Jones’s Charmed Life.

London has a magic of its own. There are many references to locations in London, places that I know well and enjoy reading about. Stella Benson was writing from experience: she too knew London well.

Anyone who wants to read Living Alone will find it on Project Gutenberg.

Cult members: giving more and more in return for less and less

Something I read  in Joyce Collin-Smith's Call No Man Master  about the Maharishi Yogi reminds me of something I read in Terry Pratchett's Lords and Ladies about the Elf Queen. 

We start with an amusing anecdote from a serious book; the second extract is a serious statement from a very amusing book.  

From Call No Man Master

Joyce Collin-Smith tells us that the Maharishi Yogi started out by initiating people in return for fruit and flowers, but he went on to demand larger and larger sums of money in return for his teachings. Even the basic courses were very costly, and the lessons in special techniques became steadily more and more expensive. Some people deprived both themselves and their families to pay his exorbitant fees.

These special techniques were supposed to teach people to become clairvoyant, to manipulate the forces of nature and to levitate!

Joyce Collin-Smith and the special powers of the Maharishi Yogi

There is still more to say about Joyce Collin-Smith and her dealings with the Maharishi Yogi.

This article will mainly cover the Maharishi’s special powers.

In her autobiographical book Call No Man Master, she suggests that he remotely caused two deaths. In one case the motive was to remove an obstacle from his path while in the other it was revenge.

As described in the previous article, she believes that Beatles’ agent Brian Epstein was removed because he stood in the way of the Maharishi’s plans and Beatle John Lennon was murdered as a punishment for speaking out openly against the Maharishi.

What did she see and experience during the time she spent with the guru that could have given her this idea? Why did she believe that he had the power to destroy people? Why did she believe that he would use his power so ruthlessly?

Some more extracts from her book provide answers to these key questions. The incidents described may seem trivial to some people, but for me they are very significant and provide independent confirmation of many of my ideas.

Arthur Conan Doyle’s witch Helen Penclosa: Part V

Sir Arthur Conan Doyle’s short novel The Parasite has inspired a whole series of articles, of which this is the last.

It is being published today to mark the 87th anniversary of Conan Doyle’s death: he died on this day, July 7th, in 1930. 

Although I had never even heard of The Parasite until a few weeks ago, many elements of the story seem very familiar. They have activated memories of things I have read in other books or experienced for myself; I have featured some of them in previous articles. Here are some more connections that I have noticed:

The Parasite and John Buchan

The Parasite reminds me a little of John Buchan’s story The Gap in the Curtain, in which people are trained to use the latent powers of their minds.

The volunteers are selected for their sensitive nervous systems and inability to cope well with the normal, physical world. This partly matches what Austin Gilroy says about himself: he calls himself a highly psychic, sensitive man.

The volunteers in The Gap in the Curtain are very different from Agatha Marden, whom Helen Penclosa successfully hypnotises as a demonstration of her power to control healthy, well-balanced people.

This makes me think of something that the eastern mystic and guru Kharáma says to the villain Dominick Medina in Buchan’s novel The Three Hostages: 

"The key is there, but to find it is not easy.  All control tends to grow weak and may be broken by an accident, except in the case of young children, and some women, and those of feeble mind."

"That I know," said Medina almost pettishly.  "But I do not want to make disciples only of babes, idiots, and women."

"Only some women, I said.  Among our women perhaps all, but among Western women, who are hard as men, only the softer and feebler."

Agatha Marden is hardly soft and feeble, but she is not hard enough to be able to resist being hypnotised. In any case, she was eager to try it out. Even so, it was quite an achievement for Helen Penclosa to be able to control someone that even the great Kharáma might have had trouble with!

There is a gap of 30 years and an intervening World War between the publication dates of The Parasite and The Three Hostages. There were probably many more ‘soft women’ around in 1894 than there were in 1924!

One trope that still worked is the use of mysterious, remote and exotic locations to account for someone’s powers: Helen Penclosa is West Indian; Kharáma is Indian.

Sir Terry Pratchett R. I. P.

Sir Terry Pratchett has died. There will be no more Discworld novels and no more stories about his witches.

Reading and writing about certain fictional modern-day witches can be depressing and demoralising, especially when they remind us of people who have injured us in real life. Terry Pratchett’s witches provide a pleasant, entertaining and amusing contrast: their sayings and doings lift the spirits of and bring enjoyment to his readers.

I quoted some extracts from his books a while back, and added some thoughts of my own: there is something about his evil elves here and some of his wise words about magic here.

Goodbye Terry, and thank you.

P. S. I saw Terry Pratchett once, and we exchanged brief smiles! 

It was in Hampstead, in north-west London. I was walking past some shops to the bus stop and saw him sitting with someone at a table outside a café. 

His appearance is distinctive and he was a trustee of a charity in the area, so it was definitely him.

Linwood Sleigh’s witches: Miss Heckatty, Mother Withershins and Winnie Jago

The Boy in the Ivy by Linwood Sleigh is yet another very good book that I remembered as containing modern-day witches and wanted to re-read. It is out of print; when I first saw how much was being charged for the few copies available, I decided to forget it! After a long time, I felt a sudden impulse to search online once again just in case; I found a copy on Amazon at a very reasonable price. When the book arrived, I found that it had been signed by the author!

Three of the witches it contains are of especial interest to me.

Miss Heckatty

When she first appears, Miss Heckatty is presented as a selfish, inconsiderate, annoying character, a ‘horrid old lady’. She moves some items a boy left on a window seat on the train to reserve it and takes the seat for herself. She knits during the journey and keeps jabbing the boy beside her with her elbow. 

Miss Heckatty is a learned lady; just like Dr. Melanie Powers in L. M. Boston’s An Enemy at Green Knowe, she is the scholarly type of witch. She too is hunting something – an extremely rare flower with magic properties as opposed to occult papers. Also just like Melanie Powers, Miss Heckatty goes to tea with a family because it gives her a pretext to get into a place where she hopes to find what she is looking for. The visit provides opportunities to look around and do some investigating. Witches often have ulterior motives for what they do.

Miss Heckatty is greedy: she takes the biggest cakes, but unlike Dr. Powers she does this openly. She is unkind to her worn, miserable, downtrodden students. 

Defence Against the Dark Arts Part II: Terry Pratchett’s books

I have found that Terry Pratchett’s Discworld books brighten the atmosphere: they are ideal for driving away black moods and dispersing the dark clouds of depression. 

I particularly like the books that feature his three main witch characters, Granny Weatherwax, Nanny Ogg and Magrat Garlick. The three witches in Macbeth were the inspiration for these ladies. He said that three is a natural number for witches. It is just a coincidence that when I was at school, someone likened me and my two sisters to the three witches in Macbeth!

Not only do these books entertain, amuse and raise one’s spirits, they also contain material that seems to me to be relevant to some topics on this blog. I have already made a connection between the effects that Terry Pratchett’s illusion-creating elves have on humans and the effects that some glamorous energy vampires have on their victims.

Some of what Pratchett says about magic and how it attracts undesirable entities could apply to unconscious or psychological black magic and how it attracts – or is even caused by - forces that sabotage the lives of the practitioners. 

Energy vampires in books: Terry Pratchett and J.K. Rowling

There are many articles about energy vampires (meaning the human kind, not electrical appliances on standby) to be found online. Some have nothing new or original to add to existing knowledge in either the material itself or the presentation and interpretation: they just repeat the basics. 

Some articles are written by people who are trying to sell something: they consist of snippets surrounded by advertisements. 

Many such articles are superficial, positioned at the level of pop psychology; others are all generalisations with nothing coming from personal experiences. Many books on the subject are not much better.

Some of this information may be suitable for people who want an introduction to the subject, or to learn how to deal with a difficult colleague at the office or a negative, self-pitying mother who won’t get off the phone, but some of us want something deeper and more substantial, something that takes metaphysical factors and the very worst examples into account.

In this connection, I have found two examples of fictional energy vampires that resonate very strongly with me. They come from the works of Terry Pratchett and J. K. Rowling.