Something about Nicholas Stuart Gray's Mainly in Moonlight

I have recently read Nicholas Stuart Gray's Mainly in Moonlight (1965) for the first time. 

Mainly in Moonlight consists of ten short tales of sorcery and the supernatural, the third of which gives its name to the book. One story is an addition to Over the Hills to Fabylon, another to Grimbold's Other World and, as mentioned in the 100th anniversary article, yet another story, one that is told by a demon with a sense of humour, may have given some ideas to Jonathan Stroud.

There is not much quotable material in the book, but some of the stories inspire a small amount of commentary.

Mainly in Moonlight the story
The story titled Mainly in Moonlight has something to say about the inappropriate use of magic and people who get themselves out of a tight corner only to fall into a worse one. 

A young man called Colin decides to seek out a sorcerer to request a magic charm that will get him something he has set his heart on. The sorcerer says that before his wish for a magic spell can be granted, Colin must serve him for one year. 

Colin has to perform tasks such as drawing water, lighting fires, baking bread and tending to an invisible horse. He thinks constantly of escape. 

A creature living at the bottom of the well offers him a way out, but the catch is that he must serve it for one year. Life down below turns out to be worse than it was with the sorcerer.

Again and again Colin is rescued from a disheartening situation only to be expected to serve his new master for one year.

Colin, who had thought that it would be a small and simple matter to get a magic charm, learns his lessons. He says this at the end of the story:

“There is only one simple truth about magic. You get a lot that you didn't ask for and absolutely nothing that you wanted!”

This is certainly true in many cases. However, the sorcerer keeps his word and there is a good outcome for Colin.

In memoriam: Nicholas Stuart Gray

The writer Nicholas Stuart Gray died on March 17th 1981, 40 years ago today. He was only 58 years old.

There are a few articles on here featuring characters from his books; here is another, more general, post to mark the occasion.

Nicholas Stuart Gray

Nicholas Stuart Gray was a very private person and there is little information available about his life, Much of the material that does exist can be found in a short Wikipedia entry and The Pied Pipers by Justin Wintle and Emma Fisher, which contains interviews with some influential creators of children's literature. 

Nicholas Stuart Gray was interviewed in 1974. He said something that I agree with very strongly. He said that he wrote plays -

“...to give the children a sense of magic. Nobody attends to this enough. They give them too much realism. They can see it all on the box, they can see frightful things there. They can read it in the papers. But they’re not being given a world to escape into…the world of the imagination...Children must have an escape line somewhere.”

Diana Wynne Jones, who was also of Celtic origin, had very similar views. She wrote about the uselessness and harmful effects of realistic children's books versus the beneficial effects of magic and fantasy. 

Both writers enhanced the lives of many children. They provided pathways into other worlds for children who needed to escape from something and escape to somewhere. They knew what this was like themselves; they both had awful mothers and as children they both made up stories to make their younger siblings' lives more bearable:

“From a young age, he (Nicholas Stuart Gray) made up stories and plays to amuse his brothers and sisters, and to try and escape his unhappy childhood.”

Stella Gibbons too created wonderful fairy tales that she told to her two younger brothers to help them escape from and temporarily forget their unhappy situation. 

Nicholas Stuart Gray’s witch: Huddle

Nicholas Stuart Gray wrote a wonderful fantasy book for children called Over the Hills to Fabylon. I remember reading it when I was very young. It is out of print now; I have tried to find a copy from time to time without success. Even if it did come on the market, I probably wouldn’t be able to afford it.

I searched for it again recently just in case and found another of Stuart Gray’s books, one that I hadn’t read. The price was reasonable so I bought The Edge of Evening, which is a book of short stories. 

It begins with The Sky-blue Whistling Spark, of which the main character is a witch called Huddle. The story is very light and only 13 pages long, but it contains and confirms some interesting and important points about witches.

The demons arrive

Huddle is a typical fairy tale witch, a skinny old woman with grey hair who lives in a damp, squalid cottage in a wood. She is bad tempered, proud and conceited. Most of her time is spent trying to bring off strong, black, interesting, successful magic: she wants to be a great and evil witch, one that people are afraid of. 

Unfortunately, although she has enough innate ability to work small spells that bring minor misfortunes to her neighbours, she has not got what it takes to perform the really big stuff i.e. strong Black Magic. This level of spell casting is beyond her powers: her best efforts bring unexpected or no results. 

Her failures make her crosser and crosser; she eventually decides that she needs a demon to be her slave and instruct her in the performance of sorcery. Then she will be able to take her rightful place in the world.