Two temptation scenes in Jonathan Stroud’s Lockwood books

This article has something to say about what might be called the temptation of Lucy Carlyle, a major character in Jonathan Stroud's Lockwood & Co. books, by a whited sepulchre of a woman who goes by the name of Penelope Fittes.

The two featured temptation scenes are of particular interest because there are similar scenes in other books that I like, many of which have previously been featured or mentioned on here.

Penelope Fittes is head of the Fittes Agency, the oldest and biggest psychical detection agency; she is one of the most powerful and influential people in the country.

She is a very glamorous and elegant businesswoman. At first she appears to be a good person and well disposed towards Anthony Lockwood and his colleagues, but she is not what she seems. She is gradually revealed to be a ruthless exploiter and destroyer of people, living and dead. She has many dark secrets; she has much blood on her hands.

The first temptation of Lucy Carlyle
In The Whispering Skull, the second book in the series, a member of the Fittes Agency flatters Lucy Carlyle and tries to lure her away from Lockwood & Co.: 

“Ms. Carlyle, you’re clearly the most intelligent of your team. And you’ve some Talent, too, if everything I’ve heard is true. Surely you don’t want to hang around with these losers any longer. You’ve got a career to think of. I know you had an interview with Fittes a while ago; I know they failed you, but in my opinion”— he smiled again— “they made a bad mistake. Now, I have a little influence within the organization. I can pull strings, get you a position within the company, just think: instead of eking out a living here, you could be at Fittes House, with all its power at your disposal.”

This makes Lucy very angry. She likes her life as an employee of the Lockwood Agency and she likes her colleagues Anthony Lockwood and George Cubbins, who are in any case very far from being losers. She tells her tempter that she is quite happy where she is.

This offer may seem relatively harmless if rather patronising: the Fittes man recognises talent when he sees it and just wants to recruit a good person for his team. However, it is Penelope Fittes who is behind this and further attempts to recruit Lucy: she wants to make use of her gifts, and whatever she wants she is determined to get.

John Masefield’s Box of Delights & Terry Pratchett’s Hogfather

This time last year, John Masefield’s Box of Delights was featured.  The story ends on Christmas Eve, which makes it very suitable reading for the holiday season.

Now it is the turn of Terry Pratchett’s festive fairytale Hogfather (1996). 

The Hogfather is a Discworld character. He is similar to Father Christmas: he is a mythical fat and jolly bearded man who wears red and white and brings presents for the good children of Discworld on Hogswatchnight (December 32nd). He travels by sleigh; it is drawn by pigs rather than reindeer though. 

Although some readers say that Hogfather is Terry Pratchett’s best book, it is not at the top of my list: that place is occupied by his books about the Discworld witches!

There is not much in Hogfather that inspires commentary, however I noticed some interesting similarities and common themes and elements in these two very different seasonal stories and decided to list a few of them.

A few common features
A big metaphysical battle is a major theme in both books.

In The Box of Delights the battle is between good and evil; in Hogfather it is between rationality and belief. It is about logic and rules versus magic and mythology.

Cults and John Masefield’s Box of Delights

I have recently been re-reading John Masefield's children’s fantasy novel The Box of Delights.

I wanted to have another look at the references to Christmas Eve. I was also hoping to find some previously overlooked material about witches, but instead I noticed for the first time that a conversation between two of the characters has relevance to what I now know about cults.

This dialogue was written in 1935. It is uncanny how relevant and significant it is when we look at the methods cults use to recruit their victims and what constitutes an effective resistance to these techniques. I missed all this in past readings of the book but can see it now.

Maria Jones and the evil witch

One of the characters in the book is a girl called Maria Jones. She is a friend of Kay Harker, the young hero.

She is just a small child; she is known to everyone as ‘little Maria’. She is blunt, tough and fearless, rather like Joan Aiken’s Dido Twite in The Cuckoo Tree. She loves guns and has gangsters on the brain.

Maria shows that she has more sense than many adults who are manipulated into joining cults or other unethical organisations when the witch Sylvia Daisy Pouncer and her villainous husband Abner Brown decide that Maria shows promise and would be a good acquisition for their gang.

They kidnap and imprison her. Sylvia Daisy tries to persuade her to join them. Maria is not fooled; she is defiant and not at all daunted and she stands up for herself very well.

John Masefield and the magic of Christmas Eve

The writer and poet John Masefield’s two children’s books The Midnight Folk (1927) and its sequel The Box of Delights (1935) have been previously mentioned on here because of the witch Sylvia Daisy Pouncer.

Sylvia Daisy plays a much larger part in The Midnight Folk than she does in The Box of Delights, but the latter book is of interest for other reasons. 

Masefield’s words create beautiful pictures in the imagination - the descriptions of winter and the Christmas season are particularly good - and invoke positive magical influences which are ideal for helping to counteract seasonal depression and the sinister forces that are active at this time of year. 

The story, which features magic, adventure, time travel, sinister wolves, brave children and the battle between good and evil, begins a few days before Christmas with the young hero Kay Harker returning from boarding school for the holidays; it ends on Christmas Eve with a joyful and triumphant midnight service in the Cathedral. 

It is interesting that Sylvia Daisy Pouncer and her evil associates try to prevent this service from being held. As was mentioned in this article, disrupting the midnight service on Christmas Eve is a big coup for practitioners of black magic.

A six-episode BBC TV series was made in 1984. Although for me books are always best and many associated films make me feel furious, disappointed and disgusted, I have found this series to be worth watching. I like the theme music very much.

The Box of Delights series is available on DVD, and some kind person has loaded the episodes onto YouTube.

I may come back to John Masefield’s children’s book again. In the meantime, I hope that this brief description and strong recommendation will inspire people who haven’t already discovered The Box of Delights to investigate this wonderful book and its TV adaption. 

Linwood Sleigh’s witches: Miss Heckatty, Mother Withershins and Winnie Jago

The Boy in the Ivy by Linwood Sleigh is yet another very good book that I remembered as containing modern-day witches and wanted to re-read. It is out of print; when I first saw how much was being charged for the few copies available, I decided to forget it! After a long time, I felt a sudden impulse to search online once again just in case; I found a copy on Amazon at a very reasonable price. When the book arrived, I found that it had been signed by the author!

Three of the witches it contains are of especial interest to me.

Miss Heckatty

When she first appears, Miss Heckatty is presented as a selfish, inconsiderate, annoying character, a ‘horrid old lady’. She moves some items a boy left on a window seat on the train to reserve it and takes the seat for herself. She knits during the journey and keeps jabbing the boy beside her with her elbow. 

Miss Heckatty is a learned lady; just like Dr. Melanie Powers in L. M. Boston’s An Enemy at Green Knowe, she is the scholarly type of witch. She too is hunting something – an extremely rare flower with magic properties as opposed to occult papers. Also just like Melanie Powers, Miss Heckatty goes to tea with a family because it gives her a pretext to get into a place where she hopes to find what she is looking for. The visit provides opportunities to look around and do some investigating. Witches often have ulterior motives for what they do.

Miss Heckatty is greedy: she takes the biggest cakes, but unlike Dr. Powers she does this openly. She is unkind to her worn, miserable, downtrodden students. 

Three fictional modern-day witches

I have always liked reading stories about witches, especially modern-day witches.

I no longer read such fiction just for enjoyment and escape: I am looking for examples of and information about the various types of unseen influences.

I remembered some books I read long ago that feature modern-day witches and have been re-reading them in the hope of finding relevant material. I already have enough for several articles: there are many connections to be made between some fictional modern-day witches and people I have encountered, and there are scenes in these books that remind me of incidents I have experienced myself. 

It is interesting that some of these witches were created by men, although on the basis of their first names one or two of them are often assumed to be women.

I will start with three very different modern-day witches of interest created by three very different authors. 

John Masefield’s witch: Sylvia Daisy Pouncer
The Midnight Folk and The Box of Delights, two children’s classic fantasy novels written by John Masefield, contain a character called Sylvia Daisy Pouncer, who is publicly a governess and secretly a witch.

She is said to have been modelled on Masefield's aunt, who raised him and his siblings after their parents died. She disapproved of his love of reading: she sent him as a teenager to live on a naval training ship to cure him of the filthy habit! She is also said to have been inspired by a hated governess who taught Masefield and his siblings.