A very good definition of a witch

I found a very good definition of a witch recently, from a writer I had never previously heard of:

“Perhaps I am the only person who, asked whether she were a witch or not, could truthfully say, ‘I do not know. I do know some very strange things have happened to me, or through me.’"
 From Bless This House by Norah Lofts

This is independent confirmation of something I have been thinking and writing about for many years. Strange things, both good and bad, do indeed happen to, through and around some people; the speaker above is far from being the only person to experience strange phenomena.

Synchronicity, very good or very bad timing and amazing coincidences are often involved, and so are what might be called blessing and, its opposite, cursing. The same person may be able to perform both actions:

“’Blessings be on this house,’ Granny said, perfunctorily. It was always a good opening remark for a witch. It concentrated people's minds on what other things might be on this house.”

From Witches Abroad by Terry Pratchett

Terry Pratchett’s witch books are very amusing, with occasional serious comments and thought-provoking ideas about magic and witches. 

“There were really only four types of people in the world: men and women and wizards and witches.”

From I Shall Wear Midnight by Terry Pratchett

August Strindberg and his Inferno

Colin Wilson’s book The Occult provided the lead for a series of articles about the string of misfortunes that the playwright August Strindberg brought upon himself by consciously and deliberately using occult techniques in an attempt to influence his family remotely.

Although there are a few more misfortunes still to come, I have taken time out to cover a few associated points and issues. 

One very obvious question to ask is how much of what Strindberg wrote in his book Inferno is actually true. There is also the problem of the accounts of his experiences getting changed or lost in translation.

Problems with the Inferno book

Colin Wilson gives a good summary of some of the incidents; his account made me want to read the whole story for myself. I was delighted to find Inferno available in the public domain on Project Gutenberg. However, there are some drawbacks that other people interested in going to directly to the source should be aware of.  

August Strindberg was Swedish; he wrote Inferno in French; there are many different English editions and translations available, with a variety of introductions.

Inferno is a novel. It is autobiographical, but Strindberg’s stories about incidents in his life may have been invented, exaggerated or distorted, possibly for concealment or for dramatic purposes.

Strindberg jumps around in time and from place to place and country to country, so it is not always easy to see when and where an incident happened and whether or not it can be directly connected to his evil action against his family.

Strindberg sounds melodramatic and paranoid for much of the time. He frequently mentions a ‘Hidden Hand’ that he believes guides events and intervenes in his affairs, for good and evil. He was an absinthe drinker and is said to have suffered from schizophrenia. This makes it difficult to take some of his ramblings and ravings seriously; it also makes it difficult to determine whether or not something actually happened, and if so whether or not it had any real significance.

Strindberg’s string of misfortunes: Part II

The first article in the series inspired by Colin Wilson’s references in The Occult to an episode in August Strindberg’s autobiographical book Inferno tells how Strindberg brought major trouble on himself by deliberately using occult techniques in an attempt to influence his family remotely.

This article will give more details of some of the misfortunes.

First, something about the unforeseen side effects of the evil procedure that Strindberg performed.

Off-the-mark magic

It is very common for psychological black magic to backfire or miss the mark in some way. Hitting the wrong target is what happened in Strindberg’s case. 

Strindberg hoped to get a telegram from his wife asking him to come at once because his little girl was ill. No telegram arrived; his devious plan to make his child fall ill to give him an opportunity to get back together with his family had failed.

However, his procedure had an unexpected side effect:

“In the course of the spring ... I received a letter from the children of my first marriage, informing me that they had been very ill in hospital.”

Strindberg believed that the illness of his older children was no coincidence. He was convinced that he had caused it with his special powers:

“At an earlier period, in the great crisis of my life, I had observed that I could exercise a telepathic influence on absent friends.”

“When I compared the time of their illness with my mischievous attempt at magic, I was alarmed. I had frivolously played with hidden forces, and now my evil purpose, guided by an unseen Hand, had reached its goal, and struck my heart.”

All this reminds me of what Joyce Collin-Smith said about the Maharishi Yogi, although the Maharishi appeared to get away with everything and suffered no backlash, no misfiring  and no side effects. 

Strindberg’s string of misfortunes: Part I

The Swedish playwright and essayist August Strindberg endured much bad luck and a long string of misfortunes, some serious, in 1896. Everything went wrong; his life became one long nightmare. It was as if he had been cursed. There were some strange events and uncanny coincidences in the case too.

I first learned about this episode in Strindberg’s life from The Occult by Colin Wilson, who got his information from Strindberg’s autobiographical novel Inferno. This bizarre book, which can be found on Project Gutenberg, is based on the diary that Strindberg kept at the time. 

Strindberg believed that he had brought all his troubles on himself and attracted evil influences into his life by deliberately using his special powers in an attempt to practise psychological black magic.

There is much material of interest and some familiar features in this case. It will take more than one article to summarise even the most relevant and significant details of the nightmare episode, provide a commentary and make some connections.

We begin with some information about when and why the trouble started.

An obvious starting point

As described in many articles, there have been occasions in my life when, after going for days, weeks, months, even years without anything unusual to report, I suddenly experience a string of minor misfortunes. There is an obvious starting point to the incidents; they stand out in comparison with the preceding uneventful days.

It seems to me very significant that Strindberg was going through a good patch in his life just before it all went wrong. In his own words:

“The summer and autumn of the year 1895 I count, on the whole, among the happiest stages of my eventful life. All my attempts succeed; unknown friends bring me food as the ravens did to Elijah. Money flows in; I can buy books and scientific instruments...”

Then he did something that caused it all to go into reverse. There is an obvious starting point to his misfortunes, which stand out in comparison with his prior easy existence.

Arthur Conan Doyle’s witch Helen Penclosa: Part V

Sir Arthur Conan Doyle’s short novel The Parasite has inspired a whole series of articles, of which this is the last.

It is being published today to mark the 87th anniversary of Conan Doyle’s death: he died on this day, July 7th, in 1930. 

Although I had never even heard of The Parasite until a few weeks ago, many elements of the story seem very familiar. They have activated memories of things I have read in other books or experienced for myself; I have featured some of them in previous articles. Here are some more connections that I have noticed:

The Parasite and John Buchan

The Parasite reminds me a little of John Buchan’s story The Gap in the Curtain, in which people are trained to use the latent powers of their minds.

The volunteers are selected for their sensitive nervous systems and inability to cope well with the normal, physical world. This partly matches what Austin Gilroy says about himself: he calls himself a highly psychic, sensitive man.

The volunteers in The Gap in the Curtain are very different from Agatha Marden, whom Helen Penclosa successfully hypnotises as a demonstration of her power to control healthy, well-balanced people.

This makes me think of something that the eastern mystic and guru Kharáma says to the villain Dominick Medina in Buchan’s novel The Three Hostages: 

"The key is there, but to find it is not easy.  All control tends to grow weak and may be broken by an accident, except in the case of young children, and some women, and those of feeble mind."

"That I know," said Medina almost pettishly.  "But I do not want to make disciples only of babes, idiots, and women."

"Only some women, I said.  Among our women perhaps all, but among Western women, who are hard as men, only the softer and feebler."

Agatha Marden is hardly soft and feeble, but she is not hard enough to be able to resist being hypnotised. In any case, she was eager to try it out. Even so, it was quite an achievement for Helen Penclosa to be able to control someone that even the great Kharáma might have had trouble with!

There is a gap of 30 years and an intervening World War between the publication dates of The Parasite and The Three Hostages. There were probably many more ‘soft women’ around in 1894 than there were in 1924!

One trope that still worked is the use of mysterious, remote and exotic locations to account for someone’s powers: Helen Penclosa is West Indian; Kharáma is Indian.

Arthur Conan Doyle’s witch Helen Penclosa: Part IV

Sir Arthur Conan Doyle’s novella The Parasite has inspired a series of articles. Part III described Helen Penclosa and her activities in detail. So what more is there to say about this sinister little story? There are still a few features to be highlighted, points to be made and warnings to be repeated.

Going into reverse

One feature in this and other examples of people ignoring red flags and getting carried away by exciting visions of the future is that not only do many of them not get what they want, but it all goes horribly wrong, into reverse even, and they find themselves in a much worse situation. Their ambition, scientific curiosity, gullibility, greed, arrogance, over-estimation of their powers, strength and resistance …whatever the cause of their involvement with negative metaphysical forces, they are lead to disaster.

Austin Gilroy gets the exact opposite of what he hoped for. He foresees a glorious future for himself; he thinks that his forthcoming paper on hypnotism might even get him made a Fellow of the Royal Society.  This will make Agatha accept that the game is worth the candle!  Unfortunately, it all backfires.

Instead of achieving further academic success, he loses his professorship; instead of feeling respect and admiration for him, Agatha feels concern because he looks so worried, worn and ill.

Life becomes a living hell

It is bad enough for Gilroy when he experiences the double consciousness, knowing full well that he is being controlled and made to speak and act against his interests but unable to do anything about it or to resist the compulsion to visit Helen Pensclosa when she summons him remotely; it is even worse when he is completely possessed by her and has no memory of what he has said and done while under her influence.

Knowing that he is being forced to ruin his professional career without even remembering the preposterous things he has said in his lectures is a torment to him.

Arthur Conan Doyle’s witch Helen Penclosa: Part III

Sir Arthur Conan Doyle’s occult novella The Parasite is a goldmine of supporting material for some of my ideas. It could be used as a teaching aid by people who are interested in informing – and warning - people about some types of unseen influences.

Part I of this series of articles introduced the main characters and outlined the plot; Part II described the effects that Helen Penclosa’s occult practices have on her victims. Part III gives more information about Miss Penclosa and her evil practices.

The source of Helen Penclosa’s powers

Where do Miss Penclosa’s powers come from?

By telling us that Helen Penclosa comes from Trinidad, Conan Doyle suggests that she has been involved with practices such as Voodoo or Obeah. He never states this explicitly, but there can be no other reason for his including this information.

It is a clue; it is a trope of the time; it is similar to saying that she has spent some time in Tibet: readers of the day would infer that she acquired her occult powers in a remote, mysterious and exotic place. It is a cop-out that saves him from trying to explain the inexplicable.

Austin Gilroy thinks that a natural force is at work.

Helen Penclosa could well be a natural witch; her powers could have developed because of her unhappiness, lack of options and inability to obtain what she wants in the normal way.

If the definition of black magic as the illegitimate use of the powers of the subconscious mind for one’s own purposes is accepted, then Miss Penclosa practices black magic.

The exercising of Helen Penclosa’s powers

Helen Penclosa is aware of her powers and uses them deliberately, unlike some of the unconscious witches I have written about.

She goes by the book by asking permission before she hypnotises someone. Agatha Marden says that she would love to be put under the influence!

Arthur Conan Doyle’s witch Helen Penclosa: Part II

The Parasite, a short novel about hypnotism by Sir Arthur Conan Doyle, contains much material of interest. Part I introduced the main characters and outlined the plot; Part II will give some more details of the effects that Helen Penclosa’s occult practices have on her victims.

Conan Doyle tells us in this chilling little story how it looks and feels to be controlled by hypnotism, suggestion and even possession by this evil witch and energy vampire.

Under the influence: Agatha Marden

As a demonstration of her power, and proof that she can make people do things that they would never do of their own free will, Helen Penclosa hypnotises Austin Gilroy's young fiancée Agatha, ordering her to break off the engagement.

Agatha visits Gilroy and speaks her piece as commanded. She is not her normal self in any way. She looks pale and constrained. She speaks robotically; she repeats several times that their engagement is at an end.

“Her voice was cold and measured; her manner strangely formal and hard. It seemed to me that she was absolutely resolved not to be drawn into any argument or explanation.“

“…That Agatha, who of all women of my acquaintance has the best balanced mind, had been reduced to a condition of automatism appeared to be certain. A person at a distance had worked her as an engineer on the shore might guide a Brennan torpedo. A second soul had stepped in, as it were, had pushed her own aside, and had seized her nervous mechanism, saying: 'I will work this for half an hour.'" 

This invasion, or possession, is why Conan Doyle calls Miss Penclosa a parasite.

Arthur Conan Doyle’s witch Helen Penclosa: Part I

While doing some research for an article about Sir Arthur Conan Doyle’s life in Southsea, I discovered that he had written a short novel about occult forces called The Parasite:

“…his dark tale of an evil woman possessed of such hypnotic powers that she is able to induce by remote control not only murder, but passionate love as well, in the mind of her chosen victim.”

From  A Study in Southsea: The Unrevealed Life of Doctor Arthur Conan Doyle by Geoffrey Stavert.

Stavert’s summary made the story sound very interesting indeed: I immediately thought of psychic crime and psychological black magic.

I found The Parasite on Project Gutenberg. The novella, which was first published in 1894, is only four chapters long; the plot is simple and there are only a handful of characters. The language is rather old-fashioned and melodramatic and the story a bit contrived, but I found The Parasite worth reading as a source of inspiration for an article or two. It contains some very familiar elements and provides yet more independent confirmation of some of my ideas.

The characters in summary

The two main characters are Miss Helen Penclosa, the evil woman, and Austin Gilroy, the chosen victim.

Miss Penclosa, who possesses strong hypnotic powers and can project herself into people’s bodies and take command of them, is middle-aged. She is small and frail; she has a pale, peaky face and light brown hair; she has a crippled leg. Her strange, grey-green eyes are both furtive and fierce. 

She is silent and colourless, retiring and lacking presence, except when she talks about and exercises her powers. She is unscrupulous; she has no ethical sense at all; she is evil. Conan Doyle calls her a parasite and a devil woman; I would call her an energy vampire and a witch.

Austin Gilroy is a professor, although he is only 34 years old. Physiology is his field. He is interested only in the material world, and has trained himself to deal only with facts, truth, logic and proof. Yet while he operates on pure reason, he is aware of his real self:

“…by nature I am, unless I deceive myself, a highly psychic man. I was a nervous, sensitive boy, a dreamer, a somnambulist, full of impressions and intuitions. My black hair, my dark eyes, my thin, olive face, my tapering fingers, are all characteristic of my real temperament…”

Two positive propositions

Accepting that unseen influences are at work in people’s lives can result in depression - and even paranoia - where some of the negative influences are concerned. Here are some positive ideas to help balance the books.

Reversing the minus sign

A while back, the idea came to me that some of the people who have a very negative effect on others could have an equally positive effect if they would only decide to clean up their act and be a force for good instead of evil.

The more innate power to influence people and events someone has, the greater their potential for either causing damage and destruction or making the world a better place.  The more power they have, the more people they can either save or lead to disaster.

This is similar to being overdrawn at the bank: if the sign were changed from minus to plus, a small deficit would become a small credit but a huge overdraft would become a huge credit balance.

Curse or coincidence? Two more cases from real life

A few years ago, I picked up a discarded copy of a free newspaper called Metro just to have something to read while making a short train journey. There was not much of interest to me in it, so I just skimmed the pages until I suddenly came to an article about something that was very much on my mind: putting curses on people.

It was a copy of an interview with a crime writer called James Ellroy. I had never heard of him, perhaps because I am not a fan of most crime novels. This extract speaks for itself:

“James Ellroy, 62, is an American author whose crime novels include The Black Dahlia and LA Confidential, both made into films. His mother was murdered when he was 10 years old, three months after he put a curse on her. It remains an unsolved case.”

Kathleen Raine and Gavin Maxwell: curse or coincidence?

The poet Kathleen Raine was involved in an unsatisfactory and tempestuous relationship with Gavin Maxwell, the naturalist who later became famous for his books about otters. She cursed him after he pushed her to the limits of endurance; he suffered a series of misfortunes then he died.

I would like to believe that the misfortunes would have happened anyway, but after learning about the effect that some creative people had on those close to them I think that her ill-wishing actually worked. Poets are closer to the subconscious – or unconscious – and she was pushed right to the edge at the time. 

One difference between this example and others I have written about from personal experience is that both of the people involved were aware that a curse had been launched, and one at least believed that it had been effective.

Exrtacts from articles I found online give details of the 'curse' and the two people involved.

From an obituary for Kathleen Raine:

“Their relationship burnt itself out, however. Banished from the house during a raging storm in 1956, a weeping Kathleen Raine cursed Maxwell under a rowan tree: 

‘Let Gavin suffer in this place as I am suffering now.’

Within the next few years his pet otter was killed by a workman, his house was destroyed by fire, and he himself was diagnosed with terminal cancer.”

Unseen influences: curses and cursing

I can’t remember when I first made a connection between some disturbing incidents that I had experienced in my life and the idea that some people are able to cause misfortune to others by ill-wishing or cursing them.  It was certainly some years after I first read Colin Wilson’s books Mysteries and The Occult, in which there are many examples of curses and cursing.

I would much rather believe in accidents, mere coincidences and chance than the idea that some people do have and use this power, but personal experience has made me believe that the proposition is correct. 

The incidents I have witnessed all involve perpetrators who were unaware of their powers and the effect that they had on the people around them. 

Unconsciously cursing someone is not the same as deliberately using spoken ritual to bring harm to a chosen victim. It often happens automatically; it usually comes from a very deep level in immediate response to what the perpetrator perceives to be an annoyance, a threat, an attack, an injury, a refusal to obey orders or a disappointing and unacceptable rejection. 

It is unwise to raise this subject with most people: they have no experience of incidents such as these and cannot understand or accept the issues involved. Putting information online in the hope that the right people will be drawn to it and find it useful is a better option.

Be very careful what you wish for: psychological black magic that backfired.

Black magic has been described as an ‘illegitimate short cut’. I really like this definition. It covers trying to get what you haven’t legitimately earned.

From what I have seen, some people do appear to use a kind of psychological black magic or mind power as an unseen influence to get or try to get what they want, as opposed to using natural methods. 

Natural methods they might use include obtaining qualifications and learning the skills that would help them to get suitable well-paid jobs, working to earn the money to pay for the things that they want and attracting decent human beings into their lives by being one themselves so that people like to do them favours, introduce them to others and invite them to events. In particular, natural methods mean asserting themselves, stating their position, negotiating with people and practising give and take in their relationships. 

I have also seen that even where these people do get what they asked for, it usually goes horribly wrong, backfires, turns sour or is a fifth rate travesty of what they really wanted. The backlash can make people very depressed and unstable. 

This is all unconscious: they never usually make the connection between what they were obsessively wishing for and what manifested in their lives. They never usually realise that they have sold their soul and sanity and got a very bad deal.

Some examples from my own experience follow.

Alcotts and Brontës and psychic crime

When I first read some biographies of the Brontë and the Alcott families, I immediately noticed some connections and common patterns. Some of these features are also present in and relevant to my own family. There are large numbers of scholarly, well researched and comprehensive books and articles about these families of interest and many analyses of their literary works, but they do not cover the aspects that I am most interested in. 

I always look out for possible examples of psychic crime or psychological black magic when researching the lives and works of people whose experiences and outlook on life have much in common with my own. I also look out for coincidences; for example, both Louisa May Alcott's father Bronson and Charlotte Brontë's father Patrick as young men slightly changed their last names to make them more 'up-market'. 

Louisa May Alcott was born on the same day as her father; she died a few days after he did, which could indicate some kind of psychic stranglehold. 

There was a lot of elevated and progressive ideology in the family, and Louisa bought the idea that the Alcotts were a breed apart. Her father frequently opted out of supporting the family, and Louisa was the sacrificial victim who was made to feel responsible for earning enough to support the lot of them. 

She disapproved when her older sister Anna married a very ordinary man called John Pratt, who died ten years later - shortly before the joint birthday.  

If marrying into the elite Alcott family was not acceptable, neither was escaping. Her youngest sister May travelled around Europe, then wrote to say that she had married and would not be coming back to the US. Her letters described the luxuries that she now had. She died some months later in Paris. 

The deaths of May and Anna's husband seem suspicious to me.

Unseen crimes: an introduction

It is now quite common to hear people use expressions such as 'dysfunctional family' and 'control freak'. Energy vampires (people not appliances) are following the same path towards general recognition: there is a lot of useful information about them available in books and online.

It is now the turn of unseen crimes to go public. These are not crimes in the legal sense; they are committed by people who operate from another dimension in such a way that their activities cannot be detected or linked to the perpetrator. 

Such crimes are the hidden cause of some runs of bad luck; they may be behind misfortunes, accidents, injuries, illnesses and even deaths. The perpetrators are usually completely unaware of what they are doing and how it affects people: they never make the connection between what has been going on in their minds and what is happening to people around them. 

Someone who did such things deliberately would be considered to be practising black magic; the people who do it unconsciously can be said to be performing psychological black magic, psychic crime or mind-power crime. The motives vary: for example, it can be done in revenge, as a punishment, in self-defence, in an attempt to influence the victim or as a pretext to approach someone.