Elizabeth Taylor’s Angel: witches and writers

Elizabeth Taylor’s novel Angel has inspired two previous articles:

Angel’s Imagination covers the ways in which a very strong, active imagination can be a liability in everyday life.

Angel’s Life and Personality describes Angel and her life mainly in modern-day, this-world terms.

Much of Angel is familiar not only because I have read the biographies of Ouida and Marie Corelli that were the source of some of the material in Elizabeth Taylor’s novel, but also because it reminds me of what I have read, and sometimes written, about other people of interest.

Angel Deverell has many characteristics and events in her life in common with both fictional witches and real-life creative writers.

Angel and some fictional witches

I had read only a few pages of the book when Diana Wynne Jones’s young witch Gwendolen Chant came to mind. They have selfishness, an abrupt manner and single-mindedness in common. Gwendolen wants to rule the world; Angel wants to dominate the world.

There is a scene in Angel where she visits her publisher at his home; she ignores his wife. This reminds me of something I quoted about C. S. Lewis’s witch Jadis in the article about Gwendolen Chant: 

“In Charn she [Jadis] had taken no notice of Polly (till the very end) because Digory was the one she wanted to make use of. Now that she had Uncle Andrew, she took no notice of Digory. I expect most witches are like that. They are not interested in things or people unless they can use them; they are terribly practical." 
From The Magician’s Nephew

Both Gwendolen and Angel are quick to take offence and become furious when thwarted. Both hate to see others in possession of things they want for themselves. Both are outraged when they don’t get the recognition they think they deserve.

Neither girl is interested in academic achievement; they just concentrate on their one obsession to the exclusion of everything else, with Angel exercising her imagination and Gwendolen her magical powers.

Elizabeth Taylor’s Angel: her life and personality

Angel Deverell is the main character in Elizabeth Taylor’s novel Angel.  She has provided much more article material than I was expecting. After describing how she lives in her imagination rather than in the real world, we will now cover something of her life, personality and behaviour.

We left Angel at the point where her lies have been exposed and she escapes into illness and her imagination.

Angel Deverell becomes a romance writer

When her mother confronts her, Angel faces blankness and despair and longs for death, seeing no other way out.

When certain people feel that all avenues are closed and cry out on the inside for a miraculous deliverance, something may hear them and come to their rescue, offering what seems like a possible way out…for a price. It may even be that the avenues were deliberately closed, so that the victim chooses the path that they were intended to take all along.

Angel remembers something that for once made her feel happy: it was when she wrote an essay. She decides to write a book. It comes easily: the words flow effortlessly because she just gets some of her fantasies down on paper. Angel’s imaginings are all very visual, pictures seen in the mind’s eye. The words and narrative are not important to her.

Angel has never grieved over any human beings and doesn’t care that a neighbour’s daughter might be dying, but she cries over the funeral she writes about. Seeing real life as unreal, treating the inner world as the real world and the outer world as just a dream is yet another occupational hazard for people with very strong imaginations and unsatisfactory lives.

Angel refuses to return to school; she won’t look for work either: she disdains the suggestion that she could get an office job. She will write books and become rich and famous!

Elizabeth Taylor’s Angel: her imagination

I first heard about Elizabeth Taylor’s novel Angel when it turned up in the results of a Google Search for “Marie Corelli”. 

I had never read any of Taylor’s books, but I got a copy from my library after reading in reviews that Angel was based in part on the lives of the Victorian romance writers Marie Corelli and Ouida. I had read biographies of both of these best-selling writers and was curious to see how much of their biographical material had been used in Angel.

Much of the book is very familiar; I recognised many elements from the biographies. Angel Deverell, the main character, is obviously a composite of Marie Corelli and Ouida. Some of the descriptions of her personality, behaviour and events in her life were taken directly from the biographies.

Angel Deverell is a classic textbook case. She is a type of person who appears in the human race from time to time. I see them as a kind of witch. They may get what they wish for, but the price may be very high and it may all turn to dust and ashes.

Reading about Marie Corelli’s, Ouida’s and now Angel’s life has confirmed some of my ideas about sinister unseen influences that might be at work in people’s lives. There is a lot of material of interest in the book; it will take more than one article to cover it.

Angel Deverell and the dangers of too much imagination

We first meet Angel when she is a schoolgirl of 15. Her colouring is striking, but she is not beautiful. She is not very good at her lessons either, although she can fool people who know much less than she does into thinking that she is a good student.

The only attribute Angel has that is above average is her imagination, and she uses it all the time. It plays a much greater part in her life than her senses do. To Angel, her experiences are a makeshift substitute for her imagination.

She concentrates very hard and visualises her ideal life, one of nobility, glamour and splendour, very clearly. She daydreams whenever she can, as she dislikes the people around her and the environment she lives in. She wants, and feels entitled to, something much better.

Person of interest: Madeleine L’Engle’s Zachary Grey

Zachary Grey is a character in several young-adult novels by Madeleine L’Engle. Confusingly, he becomes Zachary Gray in the later books.

Madeleine L’Engle is not one of my favourite authors and her books do not inspire me to produce a series of articles, but some aspects of the behaviour of her character Zachary Grey and the destructive effect it has on people around him are relevant to my ideas about energy vampires and unseen influences.

About Zachary Grey

Zachary Grey, often known as Zach, is a bit of a Bad Boy. He is very rich and throws money around. He is moody and troubled; he is wild, reckless, unpredictable and sometimes self-destructive; he likes to hurt and frighten people; his outlook on life is cynical, amoral, nihilistic, negative and pessimistic: he is always saying, “What’s the point?” and wondering whether there is anything worth living for in this lousy world. He sees nothing but doom and disaster ahead. 

There are times when he hates just about everyone: he drives them away then tries to cajole them into staying.

Zach has a weak heart; he knows that he could die at any time and uses this as a weapon to control people: if they don’t do just as he likes he might have a heart attack. He uses hysterical outbursts to manipulate his parents into giving him whatever he wants; they are under his thumb.

Zach has a death wish and courts danger; he habitually does things he knows he shouldn’t do. He is always getting kicked out of schools for smoking and cheating and not turning up for classes. He does this for kicks, because he is bored. He intends to study law just to learn how to get away with things and get the better of and outsmart the phonies who run this lousy world.

Zach believes that money is everything; he has nothing but withering scorn for religion: he thinks that all religious people are phonies; he thinks that people care only about number one and that the only way to get on in the world is to step on people. His goal in life is to have what he wants, do what he wants, go where he wants and get what he wants. 

Zachary Grey is a devil’s advocate.

A recent string of minor misfortunes

I had a bad day recently, the exact opposite of what I expected. 

I had planned a circular walkabout that would combine fresh air, exercise, errands, a treat and a visit to a park. 

Unfortunately, it was more of an endurance test than an enjoyable experience. It was just one thing after another, so I gave in and went home. 

Unfortunately, that was not the end of the misfortunes.

It all started when I went to get some money from the cash machine. When I pressed the button, all I got was my balance on the screen. I felt paranoid, as though I had been cut off from my money. After a few more tries, I realised that the menu text on the screen was misaligned with the buttons. I got my cash out and went on to the library, where I found that my library card wouldn’t go through any of the machines so had to ask the librarian to do everything manually.

I got some takeaway breakfast items. My plan was to eat them in a local public garden. I walked down a steep street and along the park railings. The gate I wanted to use was chained up: there was a lot of construction work going on. I had to walk all the way back to another gate, past all the vans and workmen.

Mayor and Llewelyn Davies connections: a tangled web

This article consists of material left over from my recent post about convenient deaths associated with the Austen, Mayor and Disraeli families. While doing the research for that post, I came across some information, leads and connections that I wanted to follow up. I decided to stick to the main subjects and leave the extra material and further research for another time.

Mary Sheepshanks and her connections

Flora M. Mayor was a lifelong friend of the social reformer Mary Sheepshanks. Mary Sheepshanks knew Flora’s fiancé Ernest Shepherd; Flora at one time believed that Ernest preferred Mary. Mary actually had feelings for someone else:

“In 1905 Mary Sheepshanks fell in love with Theodore Llewelyn Davies. However, he was in love with Meg Booth, the daughter of social investigator, Charles Booth. After she refused him, Davies committed suicide. “

Suicide is only suspected: he drowned while bathing alone in a pool in the River Lune. It is thought that he hit his head on a rock. He was 34 years old at the time.

Theodore Llewelyn Davies was uncle to the five Llewelyn Davies brothers, one of whom also drowned in a suspected suicide pact.

Disraelis and Mayors: more convenient deaths

I have written elsewhere about the convenient – and possibly suspicious - deaths of the men who were engaged to be married to Jane Austen’s sister Cassandra and J M Barrie’s sister Maggie.

In both cases, the bereaved young women remained available to their siblings as their main source of companionship, emotional support and admiration. In other words, both Jane Austen and J. M. Barrie benefitted from the deaths of the men who would have been their brothers-in-law.

I have found two more cases of interest, with similar elements.

Alice Mayor and F. M. Mayor

Flora Macdonald Mayor wrote novels and short stories under the name F. M. Mayor, mostly between 1913 and 1929. She had an identical twin sister, Alice. Just like Jane Austen, Flora had brothers but only the one sister.

Flora spent some time at university, where she did not do particularly well. She spent the next seven years looking for an occupation. She hoped to succeed as a professional actress, but that too did not turn out very well. The life was hard, the glamour faded, and she became tired of the lifestyle and the squalid lodgings.

People in such situations often dream of deliverance. Salvation came in the form of a young architect called Ernest Shepherd, who, just like Cassandra Austen’s fiancé, could not afford to get married immediately so hoped to make his fortune overseas. 

He was accepted for a well-paid job in India, and this enabled him to propose to Flora. He then left for India. Although she was not happy at the prospect of being separated from her family, Flora agreed to join him later in the year: they would then get married.  Unfortunately, he died of typhoid fever out there while she was still in England.

Alice MacDonald Mayor had not been in favour of the marriage. She was desolate at the thought of losing her twin to India. Just like the Austen sisters, the two Mayor girls lived closely together for their remaining years. Flora died at the age of 59; Alice lived on for another 29 years.