Artemis Fowl and the demon cult leader: Part II

The other demon of interest in Eoin Colfer's Lost Colony is called Leon Abbot. He is one of the worst of the demons and the secret enemy of our cute little friend Number One. He is the cult leader type; many of the things he says and does are familiar from personal experience.

Leon Abbott the cult leader
Leon Abbot is the demon pride leader; he makes all the big decisions and has ways of bringing Council members round to his way of thinking.

He is the demons' self-proclaimed saviour and their hero. 

Leon Abbot is a liar and a manipulator. The truth means nothing to him.

Number One sees through him, but the other imps lap up his self-glorifying legends. Number One sees him as a loudmouth braggart, but the other imps and demons worship him, giving him the attention, adulation and total trust and obedience that he demands. 

He may have scales, horns and a tail, but Leon Abbot is  a classic, textbook case. Many of the things he says and does can be found in the list in the cult overview: for example, he has a superiority complex, sometimes behaves like an attack dog and presents himself as the sole supplier.

He is just the type to lead his followers to disaster.

The Demonic Bible
Leon Abbot brought a book back from the old world, a book that would save them all according to Abbot.

The book is called Lady Heatherington Smythe's Hedgerow. The demons treat it as their bible and use it not only as the source of all their knowledge about humans but also as a source of names:

“They didn't have real names, not until after they warped. Then they would be given a name from the sacred text.”

This explains the unusual names that demons have, names such as Leon Abbot for example. However, surely the book doesn’t contain nearly enough names to go round!

Elizabeth Goudge’s Linnets and Valerians: Part I

Best-selling novelist Elizabeth Goudge is not one of my favourite authors, although I do like some aspects of some of her books.

I heard of Linnets and Valerians only recently. When I learned that one of the characters is an evil witch, I got a copy in the hope that there would be enough suitable material for an article or two.

I found that much of the book is not about the witch and is not very relevant to this blog. However, some elements are worth a mention and there are a few connections to be made.

Linnets and Valerians

This amusing little book, which was first published in 1964 and later retitled The Runaways, is set in 1912.

In summary, the four high-spirited and resourceful young Linnet children run away from their autocratic grandmother to stay with their eccentric Uncle Ambrose. They enter a wonderful new world filled with magic and superstition and help to lift some long-standing curses.

The main character of interest is Emma Cobley, who is the local witch. There is nothing original about her and her story, but the book provides yet another example of a typical fictional witch.

Emma Cobley

Emma Cobley owns the village general store, which has a low green door. This where the children first meet her: they go in to buy some sweets. They have trouble getting the door open. The light inside is so dim that it is a while before they notice the proprietor, who is knitting.  

She is a little old dame with beady black eyes that notice everything. She wears a white mob cap, a black dress and a red shawl - familiar colours that are connected to the three phases of the moon.

Her sweets of many colours look magical in their glass bottles.

This is all very symbolic.

Elizabeth Taylor’s Angel: some miscellaneous thoughts

This final article in the series inspired by Elizabeth Taylor’s novel Angel includes some more connections and a few miscellaneous points of interest.

Angel Deverell and Esmé Scarron the sorcerer

These two people have generated many articles between them; it would be very easy to produce some more, but enough is enough!

By coincidence, Esmé is the name of Angel’s debt-ridden wastrel of a husband, but she bears more resemblance to Stella Gibbons’s villain Esmé Scarron from The Shadow of a Sorcerer than he does!

Angel shares Scarron’s arrogance and preference for having admiring followers or even worshippers rather than real friends.

She too has a bad effect on the people around her, her mother and husband in particular.

Angel could have improved her inner state and become a better person, but just like Scarron she lacks the necessary humility.

Brothers and sisters

Angel’s husband’s full name is Esmé Howe-Nevinson. He is the brother of Nora Howe-Nevinson, Angel’s companion and assistant.

It is not just Esmé’s name that has a connection to Stella Gibbons: his personality and behaviour resemble those of her younger brother Lewis.

As mentioned in the first article in the series, the novelist Marie Corelli was one of the inspirations for Angel. Corelli’s half-brother Eric was a wastrel who was always demanding money from her; Elizabeth Taylor probably created Esmé from what she knew of Eric, but he is also a classic, textbook case.

Many of us will encounter people like Esmé, who go through life leaving a trail of failures, debt and destruction behind them and who are forever taking on new initiatives without the resources and reserves to back them up. They make life hell for anyone they can get a hold over.

Both Stella and the fictional Nora kept house for their brothers;

Both Stella Gibbon’s brother Lewis and the fictional Esmé were unstable; they got into financial and other messes and left it to their sisters to sort it all out.

Same game, different players yet again.

Elizabeth Taylor’s Angel: wanting and getting

A further article or two about Elizabeth Taylor’s novel Angel has been outstanding for a long time now.

Angel has inspired three previous articles. I have described her imagination, her life and personality and her resemblance to various witches. So what more can there be to say about this strange and impossible woman?

There are some more familiar features and scenarios in her story to be described, and more details to come about the way she wants and gets things.

Wants and obsessions

Angel is an all-or-nothing person; she wants what she wants, how and when she wants it, on her own terms.

People like Angel are so single-minded in the pursuit of what they want that they may behave like addicts desperate for their next fix. They want nothing and no one except whatever they are currently obsessed with; if they are offered anything else they behave as if they have been given a stone when they wanted bread.

I have already mentioned Angel’s visit to her publisher in which she ignores his wife. Angel mostly ignores her aunt, except when she hears her say something interesting about life in the big house, something that she can use in her fantasies.

As a schoolgirl, Angel spends as much time as possible in her imagination, dreaming about living a life of luxury as a member of the family that owns the local big house. She surprises her aunt by actually asking her some questions after hearing her say something that catches her interest and provides food for her imagination. I have seen this behaviour in real life; it is not a good sign. The perpetrator blocks someone completely, then suddenly pounces on them if there is a chance of getting something they want from them.

Ayn Rand: some more thoughts about her life

Barbara Branden’s biography The Passion of Ayn Rand is inspiring a whole series of articles. It is uncanny how so many aspects of her life resemble mine.

Some more similarities

Ayn Rand loved light classical music and operettas; so do I. When she first encountered them, they provided a magical form of temporary escape from a life of squalour, poverty, fear, pain and humiliation; this was my experience too. She would queue for hours in freezing weather to get the cheapest tickets, walking miles to save her fare money; I did exactly the same.

Ayn Rand pinned all her hopes for the future, for escape from a life of blank nothingness, for freedom, for any kind of life, on one thing: moving to the USA; I did the same with the profession of computing. She knew that she just had to go there; I knew that too.  The terrible suspense, the hopes, fears and disappointments and uncertainty that she had to live through before she finally got what she wanted are very familiar; I endured all that too.

She felt at home in New York as she loved the city lights, the city streets, the buildings and the big city atmosphere; I feel exactly the same about city life, as opposed to the suburbs and the countryside. Just knowing that it is all there, just outside the window, really does give fuel to the spirit.

While her mental energy was limitless, she always struggled with the problem of low physical energy; I have the same problem. She once worked continuously for 30 hours with no sleep; I used to do that all the time.

Ayn Rand almost never drank alcohol, disliking both the taste and the effect; I am the same. She disapproved strongly of the drug culture; it didn’t make sense to damage or destroy one’s most precious attribute, the clarity and precision of one’s rational mind; I share her views. She was a heavy smoker though; I have always been a non-smoker.

She had a few lessons, but was unable to learn how to drive a car; I have never even wanted to learn.

The life of Ayn Rand: some more familiar features

Barbara Branden’s biography The Passion of Ayn Rand provided the source material for the article about some familiar features from

Ayn Rand's childhood.

There are many more examples of characteristics, viewpoints and experiences that Ayn Rand shares with other people, including me, to be found in this book.

Some more basic elements of Ayn Rand’s personality

There is little evidence that Ayn Rand possessed a sense of humour. She may not have had much common sense either. This is very reminiscent of Elizabeth Taylor’s character Angel.

She needed to control others.

She could be selfish and thoughtless, for example when she uprooted her husband from a life he loved and that suited him perfectly because she wanted to move to New York. This is very like what Angel did to her mother.

Just like Angel, Ayn Rand lacked introspection and showed no humility.

Ayn Rand considered herself to be the supreme authority on what had worth and what did not and what was right and what was wrong; she judged people by her own standards and was contemptuous and intolerant of and dismissive towards people who didn’t make the grade.

Where she saw no unusual intelligence – nor the capacity for dedicated productive work that she believed to be its consequence – she saw no value.

She had little understanding of family ties, emotional connections and people’s feelings. Very few people mattered to her in a personal way. To the end of her life, she dismissed anyone who had a deep need for the company of other people as being essentially without value.

Ayn Rand was passionately anti mysticism and pro reason.

Elizabeth Taylor’s Angel: witches and writers

Elizabeth Taylor’s novel Angel has inspired two previous articles:

Angel’s Imagination covers the ways in which a very strong, active imagination can be a liability in everyday life.

Angel’s Life and Personality describes Angel and her life mainly in modern-day, this-world terms.

Much of Angel is familiar not only because I have read the biographies of Ouida and Marie Corelli that were the source of some of the material in Elizabeth Taylor’s novel, but also because it reminds me of what I have read, and sometimes written, about other people of interest.

Angel Deverell has many characteristics and events in her life in common with both fictional witches and real-life creative writers.

Angel and some fictional witches

I had read only a few pages of the book when Diana Wynne Jones’s young witch Gwendolen Chant came to mind. They have selfishness, an abrupt manner and single-mindedness in common. Gwendolen wants to rule the world; Angel wants to dominate the world.

There is a scene in Angel where she visits her publisher at his home; she ignores his wife. This reminds me of something I quoted about C. S. Lewis’s witch Jadis in the article about Gwendolen Chant: 

“In Charn she [Jadis] had taken no notice of Polly (till the very end) because Digory was the one she wanted to make use of. Now that she had Uncle Andrew, she took no notice of Digory. I expect most witches are like that. They are not interested in things or people unless they can use them; they are terribly practical." 
From The Magician’s Nephew

Both Gwendolen and Angel are quick to take offence and become furious when thwarted. Both hate to see others in possession of things they want for themselves. Both are outraged when they don’t get the recognition they think they deserve.

Neither girl is interested in academic achievement; they just concentrate on their one obsession to the exclusion of everything else, with Angel exercising her imagination and Gwendolen her magical powers.

Elizabeth Taylor’s Angel: her life and personality

Angel Deverell is the main character in Elizabeth Taylor’s novel Angel.  She has provided much more article material than I was expecting. After describing how she lives in her imagination rather than in the real world, we will now cover something of her life, personality and behaviour.

We left Angel at the point where her lies have been exposed and she escapes into illness and her imagination.

Angel Deverell becomes a romance writer

When her mother confronts her, Angel faces blankness and despair and longs for death, seeing no other way out.

When certain people feel that all avenues are closed and cry out on the inside for a miraculous deliverance, something may hear them and come to their rescue, offering what seems like a possible way out…for a price. It may even be that the avenues were deliberately closed, so that the victim chooses the path that they were intended to take all along.

Angel remembers something that for once made her feel happy: it was when she wrote an essay. She decides to write a book. It comes easily: the words flow effortlessly because she just gets some of her fantasies down on paper. Angel’s imaginings are all very visual, pictures seen in the mind’s eye. The words and narrative are not important to her.

Angel has never grieved over any human beings and doesn’t care that a neighbour’s daughter might be dying, but she cries over the funeral she writes about. Seeing real life as unreal, treating the inner world as the real world and the outer world as just a dream is yet another occupational hazard for people with very strong imaginations and unsatisfactory lives.

Angel refuses to return to school; she won’t look for work either: she disdains the suggestion that she could get an office job. She will write books and become rich and famous!

Elizabeth Taylor’s Angel: her imagination

I first heard about Elizabeth Taylor’s novel Angel when it turned up in the results of a Google Search for “Marie Corelli”. 

I had never read any of Taylor’s books, but I got a copy from my library after reading in reviews that Angel was based in part on the lives of the Victorian romance writers Marie Corelli and Ouida. I had read biographies of both of these best-selling writers and was curious to see how much of their biographical material had been used in Angel.

Much of the book is very familiar; I recognised many elements from the biographies. Angel Deverell, the main character, is obviously a composite of Marie Corelli and Ouida. Some of the descriptions of her personality, behaviour and events in her life were taken directly from the biographies.

Angel Deverell is a classic textbook case. She is a type of person who appears in the human race from time to time. I see them as a kind of witch. They may get what they wish for, but the price may be very high and it may all turn to dust and ashes.

Reading about Marie Corelli’s, Ouida’s and now Angel’s life has confirmed some of my ideas about sinister unseen influences that might be at work in people’s lives. There is a lot of material of interest in the book; it will take more than one article to cover it.

Angel Deverell and the dangers of too much imagination

We first meet Angel when she is a schoolgirl of 15. Her colouring is striking, but she is not beautiful. She is not very good at her lessons either, although she can fool people who know much less than she does into thinking that she is a good student.

The only attribute Angel has that is above average is her imagination, and she uses it all the time. It plays a much greater part in her life than her senses do. To Angel, her experiences are a makeshift substitute for her imagination.

She concentrates very hard and visualises her ideal life, one of nobility, glamour and splendour, very clearly. She daydreams whenever she can, as she dislikes the people around her and the environment she lives in. She wants, and feels entitled to, something much better.