Nicholas Stuart Gray’s witch: Barbara

Barbara is the main character in The Stranger, a short story in Nicolas Stuart Gray’s book The Edge of Evening. She does not at all resemble the witch Huddle, who also appears in this book. She is described as being neither young nor old, neither ugly nor pretty. She has brown hair and violet eyes, and is slim and rather tall. 

Barbara has little in common with other witches I have written about. For example, she is not seeking some black magic book, magical artefact or other item as are Lucy M. Boston's Dr. Melanie Powers, Robin Jarvis's 'nasty piece of work' Rowena Cooper and Linwood Sleigh's‘horrid old lady’ Miss Heckatty; she is not power crazy nor planning to rule the world like Diana Wynne Jones's  Gwendolen Chant; she is not cruel and evil like Sheri S. Tepper's Madame Delubovoska, nor is she surly and unpleasant like Joan Aiken's Mrs Lubbage.

Her problem is that she is miserable; she is a stranger in a strange land; she hates her life in a world where kindness is dreadfully lacking and wants to get away from it. She is tired of people telling her to pull herself together. 

She has learned magic and sorcery just to obtain the power to find a world of her own, a place that is right for her, somewhere with people who speak her language, somewhere she can meet her own kind and be happy at last. She is so desperate for help that she performs a summoning ritual and conjures up a demon – whose name is Balbarith – and orders him to obey her. She commands him to show her other worlds and how to enter them.

Compelled to obedience by the power of Barbara’s spells, Balbarith shows her a few worlds, none of which is suitable. He then finds a fairly reasonable sort of place, simple and happy looking. It is full of flowers, fields and sweet, friendly animals and birds. Barbara likes it very much.

Kathleen Raine and Gavin Maxwell: curse or coincidence?

The poet Kathleen Raine was involved in an unsatisfactory and tempestuous relationship with Gavin Maxwell, the naturalist who later became famous for his books about otters. She cursed him after he pushed her to the limits of endurance; he suffered a series of misfortunes then he died.

I would like to believe that the misfortunes would have happened anyway, but after learning about the effect that some creative people had on those close to them I think that her ill-wishing actually worked. Poets are closer to the subconscious – or unconscious – and she was pushed right to the edge at the time. 

One difference between this example and others I have written about from personal experience is that both of the people involved were aware that a curse had been launched, and one at least believed that it had been effective.

Exrtacts from articles I found online give details of the 'curse' and the two people involved.

From an obituary for Kathleen Raine:

“Their relationship burnt itself out, however. Banished from the house during a raging storm in 1956, a weeping Kathleen Raine cursed Maxwell under a rowan tree: 

‘Let Gavin suffer in this place as I am suffering now.’

Within the next few years his pet otter was killed by a workman, his house was destroyed by fire, and he himself was diagnosed with terminal cancer.”