Showing posts with label Bruce Pennington. Show all posts
Showing posts with label Bruce Pennington. Show all posts

Sunday, 17 November 2024

Miscellaneous memorable material from Dion Fortune's occult novels

Each article in the series inspired by Dion Fortune's five occult novels seemed like the last one at the time, but, even though the returns diminish, a further trawl always produces a little more material to comment on. 

This article contains a few more particularly striking expressions and propositions, many of which speak for themselves. 

Psychology, pain and energy vampires
The Winged Bull mentions a 'psychological car crash', and that the victim is in need of a human 'breakdown lorry'.

This is a very neat way of describing a major internal disaster. It is spot on: people do sometimes feel as though they have been hit by a truck, and they may well need some assistance to get going again. 

The crash victim is called Ursula. She is in a bad way because she has been in the power of an energy vampire. Dion Fortune comes up with some very good images here: Ursula is described as being like a run-down battery and a sucked-out orange, while her vampiric victimiser swells up like a bullfrog!

This cover picture by Bruce Pennington shows Ursula the psychological car crash victim and the breakdown lorry:

These very true words are from Moon Magic:

“...there are no anaesthetics in psychology.

Dion Fortune got that one right. Some people will have no idea what she is talking about; they are the lucky ones. Others will know only too well how excruciatingly painful dealing with the inner world can be; they will have learned the hard way that there is no pain relief so their agony just has to be endured.

Tuesday, 9 December 2014

Heinlein’s Citizen of the Galaxy: a major unseen influence

Out of all of the many works of Robert A. Heinlein, Citizen of the Galaxy is the one that I like best. 

I first discovered it at the age of 12 or so. This story educated, entertained and inspired me; it sank into my subconscious mind and some years later influenced the course I took in life. I still occasionally go back to it, and I find it just as enjoyable and moving now as I did when I first read it.

I like the descriptions of life on Jubbulpore, capital of the Nine Worlds. I feel relieved when Thorby, the young hero, escapes from the regimented, restricted, custom-ridden, ship-bound life of the clannish Free Traders, which is my idea of hell. It is an anomaly that he had more freedom in his previous life as a beggar than he did as a high-ranking member of that closed society. 

I feel for Thorby when he experiences the cold wind of fear, when he feels some sick twinges because people he cares about have gone away forever and when he feels lost once more. 

I envy Thorby his string of benevolent mentors, father figures even. His abilities are recognised and he is educated and rigorously trained accordingly.

Older women are there to help him just when he needs it, and he gets some useful briefings from young people too. He has people to tell him the score, to explain what is happening, to show him how to look at situations objectively and put his life into the context of various societies.