I first heard about Elizabeth Taylor’s novel Angel when
it turned up in the results of a Google Search for “Marie Corelli”.
I had never read any of Taylor’s books, but I got a copy from my library after reading in reviews that Angel was based in part on the lives of the Victorian romance writers Marie Corelli and Ouida. I had read biographies of both of these best-selling writers and was curious to see how much of their biographical material had been used in Angel.
I had never read any of Taylor’s books, but I got a copy from my library after reading in reviews that Angel was based in part on the lives of the Victorian romance writers Marie Corelli and Ouida. I had read biographies of both of these best-selling writers and was curious to see how much of their biographical material had been used in Angel.
Much of the book is very familiar; I recognised many elements
from the biographies. Angel Deverell, the main character, is obviously a
composite of Marie Corelli and Ouida. Some of the descriptions of her
personality, behaviour and events in her life were taken directly from the biographies.
Angel Deverell is a classic textbook case. She is a type
of person who appears in the human race from time to time. I see them as a kind
of witch. They may get what they wish for, but the price may be very high and
it may all turn to dust and ashes.
Reading about Marie Corelli’s, Ouida’s and now Angel’s life
has confirmed some of my ideas about sinister unseen influences that might be at
work in people’s lives. There is a lot of material of interest in the book; it
will take more than one article to cover it.
Angel Deverell and the dangers of too much imagination
We first meet Angel when she is a schoolgirl of 15. Her
colouring is striking, but she is not beautiful. She is not very good at her
lessons either, although she can fool people who know much less than she does
into thinking that she is a good student.
The only attribute Angel has that is above average is her
imagination, and she uses it all the time. It plays a much greater part in her
life than her senses do. To Angel, her experiences are a makeshift substitute
for her imagination.
She concentrates very hard and visualises her ideal life,
one of nobility, glamour and splendour, very clearly. She daydreams whenever
she can, as she dislikes the people around her and the environment she lives in.
She wants, and feels entitled to, something much better.