Something about John Buchan and the colour green

After listing some connections and references to the colour green in the life and works of Sir Arthur Conan Doyle and covering some similar occurrences of this colour in the life and works of Rudyard Kipling, the next step was to look for green connections in the life and works of John Buchan. 

Buchan's works certainly contain a very large number of references to the colour green, but they are mostly casual and incidental. Many come from his frequent and routine descriptions of landscapes and the sea for example, and some just describe clothes of a colour suitable for wearing in the countryside and other wide open spaces. His books would greatly shrink if all these adjectives of colour were removed, but this would make little difference to most of the stories!

Even so, I have found some green references that can't be discounted quite so easily.

Buchan's exciting adventure story Greenmantle is an obvious candidate for inclusion, but its green aspects have mostly been covered already. 

The colour green in The Three Hostages
The Three Hostages has also been the subject of a previous article, but the green elements were not mentioned as they were not of particular interest at the time. 

A major character is called Doctor Greenslade.

One of the cryptic clues to the location of the hostages is “the green fields of Eden”.

One of the hostages, who is hidden in plain sight in a low-class dance hall, is frequently referred to as “the girl in green”.

A small green bottle plays a large part in defeating the villain Dominick Medina.

When Richard Hannay is sent for treatment to the practitioner Madame Breda, he finds that her front door has been newly painted a vivid green.

Richard Hannay tells his young friend Archie Roylance to look out for a green light. Archie is a great birdwatching enthusiast; nesting greenshanks and green sandpipers are mentioned in this connection.

Minor references include a set of green Chinese jars and a green herb fire.

The Gap in the Curtain: John Buchan nails it once again

The Gap in the Curtain is not one of John Buchan’s best-known works. It is not a story of excitement and adventure either: no thriller, it has a supernatural or paranormal theme and has been described as borderline science fiction. 

The Gap in the Curtain features the lawyer Sir Edward Leithen, another of Buchan’s heroes and narrator of the story, and Professor August Moe, a brilliant physicist and mathematician. 

The story starts with a dinner party. Leithen, who is extremely tired from overworking and close to the end of his tether, had been in two minds about accepting the invitation. He feels a little better when he notices that several other guests around the table are not looking too good either: they seem nervous, under the weather, ill, tired or even exhausted:

“I was free to look about me. Suddenly I got a queer impression. A dividing line seemed to zigzag in and out among us, separating the vital from the devitalised. There was a steady cackle of talk, but I felt that there were silent spaces in it. Most of the people were cheerful, eupeptic souls who were enjoying life... But I realised that there were people here who were as much at odds with life as myself...”