Inspiration and creativity in Conan Doyle's Magic Door

This is yet another article in the series inspired by Through the Magic Door, Sir Arthur Conan Doyle's little volume of essays about books, reading and associated topics.

This post highlights two propositions that Conan Doyle makes about inspiration and creative people: he suggests that inspiration comes from outside and that creative people are often frail and die young.  

It also mentions a few other writers in connection with these topics. 

Inspiration comes from outside
Conan Doyle says this about the source of inspiration:

“...the feeling which every writer of imaginative work must have, that his supreme work comes to him in some strange way from without, and that he is only the medium for placing it upon the paper...Is it possible that we are indeed but conduit pipes from the infinite reservoir of the unknown? Certainly it is always our best work which leaves the least sense of personal effort.”

That last sentence is often very true. Rudyard Kipling said something similar when he gave his Daemon credit for assisting and inspiring him in his work: he said that the writing he did under this influence was 'frictionless'. 

Conan Doyle's mention of a conduit pipe reminds me of another of Rudyard Kipling's Daemon-related images: he likens the end of a good run of genuine, friction-free creativity to “the water-hammer click of a tap turned off.”

Many other writers have speculated about where their inspiration might come from. 

Robert Louis Stevenson for example said that it came from vivid dreams caused by the Brownies!

Frances Hodgson Burnett thought of herself as just the custodian rather than the originator of her gift. So where did this gift come from then?

Maybe some fiction writers really do channel or download their works and ideas from somewhere.

Frances Hodgson Burnett and Isaac Asimov: feeling different and getting angry

The previous article about Frances Hodgson Burnett mentions the low return on investment in terms of the time and effort that I spent investigating her life and works and the small amount of article-inspiring material that I found.

Since then, I have followed up a few more leads and read a biography or two. I have found enough material for a few short articles, which just about makes the exercise worthwhile.

This article highlights some comments in Gretchen Gerzina's biography Frances Hodgson Burnett (2004) that remind me of material in the autobiography of a very different writer.

Feeling different
Frances Hodgson Burnett's sister Edith said something very significant about her:

“I always knew that my sister Frances was different, even when we were children, though, of course, at the time I could not have told you why...there was something about her that set her apart from other people.”

This applies to most of the other writes featured on here. Isaac Asimov for example said this in his autobiography In Memory Yet Green:

”I had begun to suspect that I was not as other children were even before I went to school. Once I was in school, there was no way in which I could avoid the knowledge.“

This is not the only element that Frances Hodgson Burnett had in common with Isaac Asimov.

Something about being interrupted while reading

While looking for more information about Frances Hodgson Burnett, I came across a previously overlooked short paragraph in her classic children's novel A Little Princess that resonates very strongly:

“Never did she find anything so difficult as to keep herself from losing her temper when she was suddenly disturbed while absorbed in a book. People who are fond of books know the feeling of irritation which sweeps over them at such a moment. The temptation to be unreasonable and snappish is one not easy to manage.”

Frances Hodgson Burnett was writing about her young heroine Sara Crewe here, but she was surely speaking for herself – and for many other avid readers, including me, who hate being interrupted while engrossed in a book. Some people do indeed react with annoyance when abruptly dragged out of a book they were immersed in: being brought back to reality in this way is often very jarring and disorienting. 

This extract has inspired some thoughts on the subject of being interrupted while reading. This article includes extracts from another classic children's book and has something to say about the motives of the interrupters.

Reading 'is not an occupation'
Some people devalue reading; it is not seen a worthwhile activity. They equate reading books with idling, with doing nothing useful, so they interrupt because they want to see the reader doing something else.

This scene from Noel Streatfeild's Ballet Shoes is a good example of this attitude:

“...Petrova was sitting on the table in the window reading a book...

The bell rang again.

“Ought to be answered.’’ Cook spoke firmly, partly because her word was law in the kitchen, and partly because whoever answered it, it would not be her. She looked round, but everybody seemed busy; then her eye fell on Petrova. Reading was not an occupation. It came in her view under the heading of “Satan finds....”

“Petrova dear,” she said, “we’re all busy; you run up and see who it is.””

A few words about Frances Hodgson Burnett on her birthday

The writer Frances Hodgson Burnett was born on this day, November 24th, in 1849. 

She was briefly mentioned in the article that lists some more Sagittarian writers. I read her three most popular children's books when I was very young and quite liked The Secret Garden and The Little Princess, but I knew almost nothing about her. After learning that she was interested in metaphysical matters, I put an investigation of her life on my to-do list.

I have looked again at the children's books and trawled through some biographical material. I found a lot of fairly interesting information about Frances Hodgson Burnett's life, some of it unexpected and some of it depressing. 

Where this blog is concerned, the results of the investigation to date are rather disappointing. Unlike fellow Sagittarian L. M. Montgomery, whose books, journals and letters are packed with article-inspiring material, Frances Hodgson Burnett provides very little that resonates or that I want to quote and comment on.

There is nothing new about her being different from the people around her as a child or being an avid reader and an inventor of exciting adventure stories from an early age. She was not the only writer to find books and the products of her imagination better than real life either.

Wanting to have something to show for my efforts, I selected enough material for a short article. It consists mainly of some elements that Frances Hodgson Burnett had in common with L. M. Montgomery.

Frances Hodgson Burnett and L. M. Montgomery

As might be expected, both Frances Hodgson Burnett and L. M. Montgomery were voracious and compulsive readers from an early age.

Frances Hodgson Burnett has been described as a writing machine; L. M. Montgomery felt compelled to write and was also very prolific. 

Both writers were profoundly influenced by works of the Brontës. There are some parallels to both Jane Eyre and Wuthering Heights in Frances Hodgson Burnett's Secret Garden for example.

Both writers had their first stories published when they were still teenagers.

Both writers became the main breadwinner in their families; in Frances Hodgson Burnett's case this started at the age of 18, when she began to make money from writing.

Some more Sagittarian writers of interest

I noticed a while back that a few writers of interest were born at the end of November.  

I found some good connections while I was looking to see what these astrological Sagittarians had in common.

A few more writers whose work I like or at least am familiar with and/or who are of interest for other reasons were born under the sign of Sagittarius – some before the end of November and some in December.

Most of them have been featured or at least mentioned in articles in the past; there may be more to say about a few of them in the future. There may also be some new names to add to the list.

Jane Austen was born on December 16th 1775.
Although her books don't inspire commentary, she has been mentioned on here in a few articles in connection with suspicious deaths. She also appears in articles about tangled webs of connections.

She mentions a witch on one occasion:

“Ah, Mother! How do you do?” said he, giving her a hearty shake of the hand. “Where did you get that quiz of a hat? It makes you look like an old witch...”

From Northanger Abbey

The Reverend Richard Harris Barham was born on December 6th 1788. 
His Ingoldsby Legends, which contain some stories about witches, are praised by Allan Quatermain in Sir Henry Rider Haggard's King Solomon's Mines and its sequel.

Lucy M. Boston was born on December 10th 1892.
She lived to the age of 97. One of her Green Knowe books features the witch Dr. Melanie Powers, who is mentioned in a few places on here, and her autobiography is the subject of an article.

Flying horses, which were mentioned in connection with writers born in late November, appear in The River at Green Knowe.

Frances Hodgson Burnett was born on November 24th 1849.
Her children's classics A Little Princess, The Secret Garden and Little Lord Fauntleroy are her most famous works. They are rather dated but still selling well. She was involved with metaphysical matters; I will investigate this once the people and topics of current interest are finished with.