Strindberg had a history of falling out with
people and breaking off relationships. He tells us in Inferno that the Danish painter
became his enemy and that he and the down-and-out mystery man cooled off and
never saw or heard from each other again. Then there was the correspondence
with Nietzsche that lasted for only a short time.
It is easy to deduce from this what would
eventually happen in the case of the secret friend. According to Strindberg,
this man turned not just from a friend into an enemy but from an angel into a
demon!
My guess is that the secret friend was a demon all along but for a while concealed his real nature behind a mask of benevolence.
This case is of interest not only because of
what it says about Strindberg’s pattern of relationships and the sort of people
he became involved with, but also because this secret friend behaved like a
cult member. I was surprised to recognise in this story some elements previously featured in articles about cults. I detected the Sole Supplier Syndrome for example; the infuriating Superiority Syndrome is much in evidence, and so is the dreaded Attack-dog Syndrome!
Strindberg’s ‘secret friend’
Stella Benson had her imaginary Secret Friends; Strindberg had someone he called his ‘secret friend’ who offered
financial and other support, playing, as he said, “...a decisive rôle in my
life as mentor, counsellor, comforter, judge, and, not least, as a reliable
helper in various times of need.”
So why would this man do all that for someone
he had never met? Did he have ulterior motives and a hidden agenda, or was he
just a benefactor, a patron who recognised Strindberg’s talents and wanted to encourage
and assist him?
The answer seems obvious to me: the secret friend cultivated the relationship with Strindberg because he was after something. I have highlighted some key statements that give the game away.