Oscar Wilde's interesting words about the colour green

The many occurrences of the colour green in Sir Arthur Conan Doyle's essay collection Through the Magic Door  inspired an investigation into green references and connections in Conan Doyle's life and works.

I came across an interesting statement about the colour green by the poet and playwright Oscar Wilde along the way. His words have inspired yet another article about this colour. 

Oscar Wilde on the colour green 
As mentioned in the article about Conan Doyle, Sherlock Holmes and the colour green, Oscar Wilde, who incidentally often wore a green carnation, wrote an essay called Pen, Pencil, And Poison - A Study In Green about an art critic who was a secret poisoner. 

The artist, author and suspected serial killer in question was Thomas Griffiths Wainewright, who was mentioned by Conan Doyle in a Sherlock Holmes story and was a friend of Charles Lamb.

Wilde's descriptions of the man, his life and his crimes are mostly irrelevant here, but as a matter of interest Wainewright spent his boyhood at Turnham Green, he was educated at the Greenwich Academy, and he later had a pomona-green chair in his library.

Wilde's essay contains these thought-provoking words about Wainewright and the colour green:

“He had that curious love of green, which in individuals is always the sign of a subtle artistic temperament, and in nations is said to denote a laxity, if not a decadence of morals.“

Green has always been my favourite colour. Why is this curious? I like the idea of the artistic temperament though! 

Two green-loving peoples
When it comes to the love of green in nations, Wilde is probably referring to various Islamic countries and what is now the Irish Republic. Both Muslims and Irish Catholics favour the colour green, and Conan Doyle, who like Wilde was an Irishman, was well aware of this.

In Conan Doyle's Green Flag, Arab tribesmen capture the Irish regimental flag. One of their sheikhs says that by its colour it might well belong to the people of the true faith - i.e. Islam.

Rudyard Kipling and some green connections

Posts about Rudyard Kipling and Arthur Conan Doyle are very popular, so I am always looking for inspiration for more articles. 

After writing about Sir Arthur Conan Doyle, Sherlock Holmes and the colour green, I decided to investigate occurrences of this colour in the life and works of Rudyard Kipling. 

I didn't find anything amazing, but some connections are worth mentioning. The people and places that Kipling has in common with Conan Doyle are particularly interesting.

Roger Lancelyn Green
Writer Roger Lancelyn Green (1918 – 1987) was the father of Richard Lancelyn Green, the previously mentioned authority on Conan Doyle and Sherlock Holmes. He was editor of the Kipling Journal and wrote and edited books about Kipling: 

The school in Green Road
When Rudyard Kipling was staying in the House of Desolation in Southsea, he attended what he called 'a terrible little day-school'. 

Roger Lancelyn Green identified the school as Hope House in  Green Road, the same road that Conan Doyle's house stood opposite. Conan Doyle's younger brother Innes later came to live at this house and became a pupil at Hope House school. 

The Green, Rottingdean
Conan Doyle lived in Bush Villas, Elm Grove, Southsea; Rudyard Kipling stayed with his family at The Elms, The Green, Rottingdean near Brighton for a few years. The large garden and grounds of this house have been preserved, and as Kipling Gardens are now open to the public:

Greenhow Hill

Greenhow Hill is a village in North Yorkshire.

Rudyard Kipling's short story On Greenhow Hill was first published in Harper’s Magazine in 1890. It also appeared in Life's Handicap, a collection of Kipling's stories. 

What makes the story of additional interest is that Conan Doyle's editor at the Strand Magazine was Herbert Greenhough Smith; by coincidence the name Greenhough is derived from Greenhow Hill.

Conan Doyle, Sherlock Holmes and the colour green

While trawling through Sir Arthur Conan Doyle's essay collection Through the Magic Door, I noticed that he mentions the colour green many times. 

This gave me the idea of looking for occurrences of this colour in Conan Doyle's life. I found more green connections than I was expecting, including some for Sherlock Holmes, and have summarised my findings here. The people, places and other items in the list may not seem particularly significant, but they certainly are interesting. 

Could it be more than just coincidence that some of Conan Doyle's work was probably inspired well before it started by someone called Green, was definitely documented long after after it ended by another person with the name of Green, and during the productivity period in the middle was edited by a man with Green in his name and published by a company with Green in its name?

Anna Katharine Green: the inspirer

Anna Katharine Green (1846 – 1935) was an American writer of pioneering detective fiction. She invented many standard features of the modern detective story; she has been called the mother of the detective novel. Her first, and best-selling, book The Leavenworth Case appeared around nine years before the first Sherlock Holmes story was published. She is believed to have inspired Conan Doyle, who was a fan of hers and corresponded with her.

Mystery writer Patricia Meredith has written and spoken about this connection:

Richard Lancelyn Green: the documenter
Richard Lancelyn Green (1953 - 2004) was considered to be the world's foremost scholar and leading authority on the topics of Sherlock Holmes and Sir Arthur Conan Doyle. He collected much material and produced extensive notes for a three-volume biography of Conan Doyle, but died in mysterious circumstances before it was finished.

He collected and introduced some Sherlock Holmes tribute stories: