His anecdotes provide some recommendations and guidance that other writers might find useful.
Give the Daemon the tools it wants
When it comes to writing, the best approach is to use tools and materials that attract and encourage the Daemon and avoid anything that the inner companion says it dislikes.
Kipling’s Daemon had a strong preference for deep black ink:
“For my ink I demanded the blackest, and had I been in my Father's house, as once I was, would have kept an ink-boy to grind me Indian-ink. All 'blue-blacks' were an abomination to my Daemon...”
It is strange what a big difference these little things make. It is definitely good practice to humour whatever it is that makes the ideas flow. It is merely a matter of doing what feels right; it is easy to sense when the Daemon is comfortable and when not.
Do your share of the work
One thing the writer can do that the Daemon can not is to research and check some basic information. Not only does this improve the quality of the work and the authority of the writer, getting started may attract the attention of the Daemon and encourage it to make its own contribution.
In Rudyard Kipling’s own words:
“In respect to verifying one's references, which is a matter in which one can help one's Daemon. Take nothing for granted if you can check it. Even though that seem waste-work, and has nothing to do with the essentials of things, it encourages the Daemon. There are always men who by trade or calling know the fact or the inference that you put forth. If you are wrong by a hair in this, they argue 'False in one thing, false in all.' Having sinned, I know. Likewise, never play down to your public--not because some of them do not deserve it, but because it is bad for your hand.”