Defence Against the Dark Arts Part XXII: The Art Deco buildings of London

As mentioned in many articles, I have found that reading certain selected books is one of the best ways to counteract depression and raise morale.

Visiting a green space with a lake is another good option, and so is going out to see some of London's beautiful Art Deco buildings. I really like this architectural design style, and looking at these buildings always has a positive effect. 

This article features just a few of the many Deco buildings that I have seen when out and about in London.  Some of them are on bus routes that I use frequently while others need a special trip.

It would take a whole string of pictures to do justice to and show all the angles and features of each selected building. It is best to see them in real life and use online sources just for background information, but if travelling around London is not an option there are some films on YouTube that are better than nothing.

The former Daimler care hire garage in Bloomsbury
This is one that I often walk past. It seems like an old friend. I always stop and take a long look at all the features. I love the green and white colour scheme:

Ibex House in The Minories
This is a good example of a commercial Deco building. It is included because I have worked there. I like the rounded edges very much:

Temptation scenes in Jonathan Stroud’s Creeping Shadow

In the article about two temptation scenes in Jonathan Stroud's Lockwood & Co. books, people are advised to beware of anyone who tries to influence them by telling them that they are cut out for better things and enlist them by tempting them with the offer of a powerful position. 

The tempters offer whatever they think will work: instead of or in addition to  power they might offer money or secret knowledge for example, or they may tell their victims that they will get a chance to help others or have better opportunities to show what they can do.

In these situations it is essential to think about what might be in it for the tempters and what their underlying motives are. It is also important to prepare for the worst after rejecting the tempters' offers: saying 'no' is asking for trouble. All hell may even break loose! 

The behaviour of Penelope Fittes, glamorous head of the great Fittes Agency and a major character in the books, towards Lucy Carlyle and her fellow members of the Lockwood & Co. Agency provides a good illustration of these points. 

After the first, unsuccessful, temptation of Lucy Carlyle, Penelope Fittes becomes increasingly determined to get what she wants from Lucy and her colleagues. This article gives some details of the attempts she makes in The Creeping Shadow, the fourth book in the Lockwood series, to manipulate the young agents and gain control of Lockwood & Co. 

Penelope Fittes get to work
After her agent fails to tempt Lucy into working for her,  Penelope Fittes gets on the case herself. 

At the start of The Creeping Shadow, Lucy has left Lockwood & Co. to work as a freelance psychical investigation agent. She has not seen her old colleagues for several months, but that soon changes.

Penelope Fittes, who has been monitoring the activities of  Lockwood & Co., offers a big, difficult and dangerous ghost-hunting assignment to Anthony Lockwood, who persuades Lucy to work with him on the case. 

Lucy is rather suspicious of Penelope Fittes' motives: after all, she has a huge number of her own Fittes agents at her disposal so why would she want to involve Lockwood & Co? Lucy is quite right to distrust Penelope, but she realises that this assignment would be good publicity for her and she wants to help her old colleagues out so she puts her doubts aside and decides to take on the job. 

She goes with the others to Fittes House for a briefing. Penelope Fittes tells Anthony Lockwood that they can do great things together in the future. She also flatters Lucy, revealing that she asked for her specifically: she had told Anthony Lockwood that he would get the commission only if he could persuade Lucy to come back and work for him. 

Something about Leslie Charteris's Saint books

The books that I first read when very young fall into two main categories: those that have stayed with me throughout the years and those that I forgot all about until I started doing some archaeological digs in my memory in the hope of finding some more material for articles.

Low Notes on a High Level by J. B. Priestley was one such deeply buried book, and Anthony Armstrong's Prune's Progress was another. Lifting them out into the light exposed memories of some equally entertaining books that I hadn't thought about for decades: Leslie Charteris's Saint stories. 

I remembered how much I enjoyed reading these books as a child; I decided to renew my acquaintance with them and perhaps produce an article if I found anything to comment on.

The attractions of the Saint books
It seemed strange at first that I used to read these books so avidly, as they were not in any of the categories that I liked best: they were not fantasy or science fiction, they were not children's classics and they didn't have a historical background. They didn't have much in the way of my idea of fascinating new information, and they didn't have much fuel for my imagination either. 

I started to recall some of the details and realised that the main attractions of the books were the daredevil personality, sophisticated lifestyle and exciting adventures of Leslie Charteris's hero Simon Templar, whose nickname is 'The Saint', and the – often rather juvenile – humour.

It was the people rather than the plots and backgrounds that most appealed to me, and I found the witticisms and Americanisms very funny. 

The Saint and some other characters
The Saint has a swashbuckling, buccaneering personality. He is strong, fearless and audacious; he is bold and brave, light hearted and carefree. He has nerves of steel; he is irrepressible; he is extremely resourceful; he is rarely at a loss and has a witty remark for every occasion. He has a strong intuition or sixth sense that serves him very well.

The Saint's appearance is elegant and immaculate. He has a privileged lifestyle, travels a lot and is always having exciting adventures and fighting villains, whom he calls 'the Ungodly'.

He resembles a Raphael Sabatini hero in some ways, which partly explains his appeal.