Books versus real life in Conan Doyle's Magic Door

This is another article in the series about Sir Arthur Conan Doyle's little volume of essays on books, reading and associated topics Through the Magic Door. 

This post was inspired by the following passage, which appears just after the invitation to enter the magic world of books:

“No matter what mood a man may be in, when once he has passed through the magic door he can summon the world’s greatest to sympathize with him in it. If he be thoughtful, here are the kings of thought. If he be dreamy, here are the masters of fancy. Or is it amusement that he lacks? He can signal to any one of the world’s great story-tellers, and out comes the dead man and holds him enthralled by the hour.

The dead are such good company that one may come to think too little of the living. It is a real and a pressing danger with many of us, that we should never find our own thoughts and our own souls, but be ever obsessed by the dead. Yet second-hand romance and second-hand emotion are surely better than the dull, soul-killing monotony which life brings to most of the human race. But best of all when the dead man’s wisdom and the dead man’s example give us guidance and strength and in the living of our own strenuous days.“

Conan Doyle makes some good points here; they are best dealt with individually.

Getting whatever you want whenever you want it
The first few lines above provide a good explanation of why so many people like to read. A library is like a menu for the mind; they can get on demand whatever 'food' they feel in the mood for. Too much choice can be a problem though! 

I have often asked myself what type of reading material I am in the mood for. Do I feel like reading something light and amusing? Do I want to be inspired, informed or entertained? Perhaps some familiar comfort food would be best – or maybe I should try something new for a change. Sometimes I read to lift my mood: I may select an uplifting book to counter-balance the effects of reading a very depressing one. 

Books are better than life
Conan Doyle is right when he says that dead people can be better company than the living.

What we get from books may indeed seem more appealing and rewarding than what we are getting from real life. This applies to both the people in our lives and the life that we are leading.

Miscellaneous memorable material from Dion Fortune's occult novels

Each article in the series inspired by Dion Fortune's five occult novels seemed like the last one at the time, but, even though the returns diminish, a further trawl always produces a little more material to comment on. 

This article contains a few more particularly striking expressions and propositions, many of which speak for themselves. 

Psychology, pain and energy vampires
The Winged Bull mentions a 'psychological car crash', and that the victim is in need of a human 'breakdown lorry'.

This is a very neat way of describing a major internal disaster. It is spot on: people do sometimes feel as though they have been hit by a truck, and they may well need some assistance to get going again. 

The crash victim is called Ursula. She is in a bad way because she has been in the power of an energy vampire. Dion Fortune comes up with some very good images here: Ursula is described as being like a run-down battery and a sucked-out orange, while her vampiric victimiser swells up like a bullfrog!

This cover picture by Bruce Pennington shows Ursula the psychological car crash victim and the breakdown lorry:

These very true words are from Moon Magic:

“...there are no anaesthetics in psychology.”

Dion Fortune got that one right. Some people will have no idea what she is talking about; they are the lucky ones. Others will know only too well how excruciatingly painful dealing with the inner world can be; they will have learned the hard way that there is no pain relief so their agony just has to be endured.

“There is no honour in politics”

A recent article features a statement from the Scottish writer George MacDonald to the effect that as no good person would go into politics, anyone who is elected to power will not be a decent human being. 

His words may be unwelcome and depressing, but there are many recent examples in both the UK and the US that support them.

Other people mentioned on here have said much the same thing.

This is from Benjamin Disraeli, who saw it all from the inside:

“There is no act of treachery or meanness of which a political party is not capable; for in politics there is no honour.“

Taylor Caldwell, who had something to say about the causes of major wars, also said this in her historical novel Captains and the Kings:

“...politics and moral ethics never mix. Politics and ethics are a contradiction in terms. An honest politician is either a hypocrite—or he is doomed.”

Although Captains and the Kings is set in the United States and the story starts in the 1850s, much of the material in this book has wider applications.

Defence Against the Dark Arts Part XXX: Richard Barham's Ingoldsby Legends

My first encounter with Richard Barham's Ingoldsby Legends was in the pages of Rider Haggard's exciting adventure story King Solomon's Mines. 

The hero Allan Quatermain says that while he is not a literary man, he is very devoted to the Old Testament and the Ingoldsby Legends. He reads these two books for the comfort of the familiar and the wisdom that they contain. 

He refers to and quotes from the Legends several times, and in the sequel Allan Quatermain says that he often reads them when awake at night.

Intrigued by these references and hoping to find a new source of good reading material, I decided to get the book so that I could experience its attractions for myself. I found a very old copy in a second-hand bookshop and opened it eagerly when I got home. 

There was much more material in the book than I was expecting, and I wasn't disappointed in the stories either. I found many of the Legends very amusing and enjoyable to read. I could now understand why this book always accompanied Allan Quatermain in his wanderings.

An overvew of the Ingoldsby Legends
The Ingoldsby Legends, or Mirth and Marvels, to give the book its full and very appropriate title, is a collection of around 65 miscellaneous stories and poems, many with a supernatural element. 

The Legends are attributed to 'Thomas Ingoldsby of Tappington Manor', but they were actually written by the Reverend Richard Harris Barham. 

Much of the material in the Legends is based on traditional Kentish myths, legends and folklore. 

There are many references to ghosts, witches and demons, and Old Nick i.e. the devil makes many appearances. However, as the Legends are intended to entertain the readers they are just as funny as they are frightening. 

More memorable material from Dion Fortune's occult novels

This is yet another article in the series inspired by Dion Fortune's occult novels. It contains a few more of her thought-provoking propositions.

Three essential qualities
The Demon Lover contains what might be called a person specification for advanced occult work:

“Dr Latimer had brains and kindness, but no strength; the hard-faced man had brains and strength, but no kindness; the newcomer had all three, and Veronica knew by this that he was a far greater man in every way than either of the others was ever likely to be.” 

Each of these qualities needs to be developed to a far greater than average degree. Finding people who meet two of the requirements must be difficult enough; good luck with finding someone who meets all three! Such people may exist in fiction, but how many are to be found in real life? 

Balancing the qualities
Assuming that kindness includes mercy and that strength includes justice, this further extract from The Demon Lover is of interest because it reminds me of of a very similar statement in a very different novel:

“...although unbalanced mercy is but weakness, unbalanced justice is cruelty and oppression.”

When I first saw this, I immediately thought of some words from Charlotte Brontë's Jane Eyre that support the above proposition:

“Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition.”

Feeling that is not balanced with rationality may well be not much good to anyone on the receiving end, and judgement that is not balanced with compassion may indeed be too harsh for most people to digest.

Inspiration and creativity in Conan Doyle's Magic Door

This is yet another article in the series inspired by Through the Magic Door, Sir Arthur Conan Doyle's little volume of essays about books, reading and associated topics.

This post highlights two propositions that Conan Doyle makes about inspiration and creative people: he suggests that inspiration comes from outside and that creative people are often frail and die young.  

It also mentions a few other writers in connection with these topics. 

Inspiration comes from outside
Conan Doyle says this about the source of inspiration:

“...the feeling which every writer of imaginative work must have, that his supreme work comes to him in some strange way from without, and that he is only the medium for placing it upon the paper...Is it possible that we are indeed but conduit pipes from the infinite reservoir of the unknown? Certainly it is always our best work which leaves the least sense of personal effort.”

That last sentence is often very true. Rudyard Kipling said something similar when he gave his Daemon credit for assisting and inspiring him in his work: he said that the writing he did under this influence was 'frictionless'. 

Conan Doyle's mention of a conduit pipe reminds me of another of Rudyard Kipling's Daemon-related images: he likens the end of a good run of genuine, friction-free creativity to “the water-hammer click of a tap turned off.”

Many other writers have speculated about where their inspiration might come from. 

Robert Louis Stevenson for example said that it came from vivid dreams caused by the Brownies!

Frances Hodgson Burnett thought of herself as just the custodian rather than the originator of her gift. So where did this gift come from then?

Maybe some fiction writers really do channel or download their works and ideas from somewhere.

A further scene of interest from a Dion Fortune occult novel

A key scene in Dion Fortune's occult novel Moon Magic inspired an article about communicating via metaphysical means. 

In this scene, Priestess of Isis Lilith Le Fay describes how she attracted the right person to her by sending out a call on the right wavelength.

In another significant passage in this novel. Lilith Le Fay describes how she looked for clues to the pattern and purpose of her occult work:

“...it suddenly occurred to me that there was a kind of pattern running through my slowly formulating work which I had not observed before. It is well known to those who deal with the hidden side of things that such patterns exist, they are, in fact, caused by the invisible forces with which we work, and when these have been got in hand and are being directed by a planning will, the pattern appears. I knew, therefore, that if I could discern the plan of the pattern, all would be clear. There is a central thread that runs through all these things; find that, and you have the clue. 

I know how to look for this thread — one seeks that which recurs and keeps on recurring. In the present instance there was one recurring factor, and one only...”

She is talking about unseen influences, the invisible forces that are at work in our lives! 

Dion Fortune wrote elsewhere about the part that the Unseen sometimes plays in certain people's  lives; here, she may be referring to a hidden hand that operates behind the scenes.

I find these words very interesting. They have a much wider application. Many people would benefit from performing a similar exercise, one in which they look back and try to identify and learn from important recurring factors in their lives.

Plans, patterns, threads and clues
This article is not the place to cover the exercise in depth, but in summary there are three steps to take: the first step involves looking for recurring factors, both good and bad, in key aspects of someone's life; the next step entails treating these factors as clues to a master plan and indications of what should or should not be done; finally, the practitioner might consider who or what might have designed and implemented the patterns and and laid the clues.