Cults, occultists and Stella Gibbons: Part IV

This article covers more elements that Stella Gibbons’s sorcerer Esmé Scarron and Madeleine L’Engle’s Zachary Grey have in common and goes into more detail about the final betrayal and showdown.

Zachary Grey, Esmé Scarron and the big anomaly

These two people are very different when it comes to attributes such as age, generation, nationality, background and lifestyle yet they both have the power to remotely influence people, they both have a similar bad effect on the girls they target and they both behave in much the same way when faced with the loss of the girl. Once again, the similarities are uncanny.

I described a big anomaly in Zachary Grey’s life here. Sometimes his glamorous image disappears and he becomes lost and frightened.

Scarron is much the same. He begins by appearing mysterious, glamorous and charming, then he is shown to be sinister and malevolent and finally he is seen as empty and pitiable.

Just as Zachary tells Vicky Austin that she is all that stands between him and chaos and she is his reason to live, Scarron begs Meg Lambert to help him and says that she is his only hope.

Describing this anomaly and making connections is much easier than finding answers to the questions it raises:

If they are so superior and their lives are so marvellous, why are they so desperate, why do they stake everything on one outcome and why are they destroyed when they lose?

I have had some ideas about this, which will appear in the next and final article in this series.

Cults, occultists and Stella Gibbons: Part III

A few of the common elements in Stella Gibbons’s Shadow of a Sorcerer and the Madeleine L’Engle books in which Zachary Grey appears have been mentioned in the first two articles.

There are more similarities to come, but first here is a summary of the remainder of the Sorcerer story:

How the story ends

The arrival at the language school of a young man called Humphrey gives Meg Lambert someone other than Esmé Scarron to think about. Humphrey is a worthy, dependable type and only 10 or so years older than Meg. Her mother likes him very much. Unfortunately he is engaged, and his fiancée Ruth soon comes out to join him at the guest house/language school in Austria.

Meg, her mother and some of the other students including Humphrey and Ruth take a short sightseeing trip to Venice.

An attempt by Ruth to make Meg see reason about Scarron backfires; her well-meaning criticism pushes Meg into doing something drastic. She tells Scarron on the phone that she will give him her final answer in person at his palazzo. Then, in revenge for the pressure to forget Scarron, she hits back by telling the others in her party a big lie: she says that she has just got engaged to him over the phone. This hurts her mother terribly and confounds the others.

Scarron sets out for Venice. He has asked his ex-wife and daughter to keep away from his palazzo, but this backfires and they go there to sabotage his plans. This is their big chance to take some revenge for what he has done to them. They reveal many of Scarron’s secrets to the Lamberts, including his age and his experiments on his son and daughter.

Scarron makes one last attempt to capture Meg by bombarding her with more waves of pity, but it doesn’t work.

103 years of John Buchan’s 39 Steps

Today is the 103rd anniversary of the first appearance of John Buchan’s classic spy thriller The Thirty-Nine Steps.

This exciting adventure story was first published in book form in October 1915, soon after it had run as a serial in Blackwood’s Magazine under the pseudonym H. de V. during July, August and September of that year.

Surprisingly, the very first appearance of The Thirty-Nine Steps was in the American magazine All-Story Weekly. It was published in two instalments, in the June 5th and June 12th 1915 issues.

The Thirty-Nine Steps was an immediate and great success.

John Buchan went on to write more books about the adventures of Richard Hannay. Unlike some of these later stories, The Thirty-Nine Steps does not contain much material that is directly relevant to this blog; it may however have some subtle messages for us.

All the world’s a stage

Perhaps there is a message in what Richard Hannay says about playing a part and how you have to think yourself into it. You must convince yourself that you are it and stay in part all the time, always behaving as if enemies were watching.

Cults, occultists and Stella Gibbons: Part II

Going through Stella Gibbons’s novel The Shadow of a Sorcerer in the light of what I have learned about cults, occultists, energy vampires and other relevant topics since I first read it has provided enough material for a whole series of articles.

I am particularly interested in the connections I can now see between some of the material in this book and material in previous articles about cults, very different books and very different people.

The first article introduced the two main characters and ended with a description of some of the harm Esmé Scarron had done by abusing his powers and knowledge.

The next topics to be covered are the dreadful effect that Scarron’s attempts to influence her have on his chosen disciple Meg Lambert and the cult leader/cult member aspect of their relationship.

Many of the unpleasant symptoms that Meg experiences are very familiar: they are typical of the negative effects that energy vampires and black occultists have on their victims.

The unbearably drab existence

Early on in the book, thinking about the delightful and exciting life that Scarron could offer her makes Meg’s life and future in England appear unendurably drab in comparison. It seems that there will be nothing for her back home but ordinary people and pastimes, ageing morons, a dull colourless existence with no beauty and no sense of romantic excitement and nothing to look forward to.

Many people have had a taste of this feeling, especially ambitious people of ability who feel trapped in a limiting environment and are desperate to escape from a godforsaken place full of deadbeat losers, but in Meg’s case there is something sinister at work.