Sunday, 13 March 2016

Elizabeth Taylor’s Angel: her imagination

first heard about Elizabeth Taylor’s novel Angel when it turned up in the results of a Google Search for “Marie Corelli”. 

I had never read any of Taylor’s books, but I got a copy from my library after reading in reviews that Angel was based in part on the lives of the Victorian romance writers Marie Corelli and Ouida. I had read biographies of both of these best-selling writers and was curious to see how much of their biographical material had been used in Angel.

Much of the book is very familiar; I recognised many elements from the biographies. Angel Deverell, the main character, is obviously a composite of Marie Corelli and Ouida. Some of the descriptions of her personality, behaviour and events in her life were taken directly from the biographies.

Angel Deverell is a classic textbook case. She is a type of person who appears in the human race from time to time. I see them as a kind of witch. They may get what they wish for, but the price may be very high and it may all turn to dust and ashes.

Reading about Marie Corelli’s, Ouida’s and now Angel’s life has confirmed some of my ideas about sinister unseen influences that might be at work in people’s lives. There is a lot of material of interest in the book; it will take more than one article to cover it.

Angel Deverell and the dangers of too much imagination
We first meet Angel when she is a schoolgirl of 15. Her colouring is striking, but she is not beautiful. She is not very good at her lessons either, although she can fool people who know much less than she does into thinking that she is a good student.

The only attribute Angel has that is above average is her imagination, and she uses it all the time. It plays a much greater part in her life than her senses do. To Angel, her experiences are a makeshift substitute for her imagination.

She concentrates very hard and visualises her ideal life, one of nobility, glamour and splendour, very clearly. She daydreams whenever she can, as she dislikes the people around her and the environment she lives in. She wants, and feels entitled to, something much better.

Thursday, 11 February 2016

The Gap in the Curtain: John Buchan nails it once again

The Gap in the Curtain is not one of John Buchan’s best-known works. It is not a story of excitement and adventure either: no thriller, it has a supernatural or paranormal theme and has been described as borderline science fiction. 

The Gap in the Curtain features the lawyer Sir Edward Leithen, another of Buchan’s heroes and narrator of the story, and Professor August Moe, a brilliant physicist and mathematician. 

The story starts with a dinner party. Leithen, who is extremely tired from overworking and close to the end of his tether, had been in two minds about accepting the invitation. He feels a little better when he notices that several other guests around the table are not looking too good either: they seem nervous, under the weather, ill, tired or even exhausted:

I was free to look about me. Suddenly I got a queer impression. A dividing line seemed to zigzag in and out among us, separating the vital from the devitalised. There was a steady cackle of talk, but I felt that there were silent spaces in it. Most of the people were cheerful, eupeptic souls who were enjoying life... But I realised that there were people here who were as much at odds with life as myself...”

Monday, 4 January 2016

Mr Standfast: John Buchan nails a problem

I was much more interested in the exciting action and adventure than the philosophising when I first read John Buchan’s books; now it is the subtle elements that hold my attention. 

Something I read in Mr Standfast recently really hit home this time around: it is a soul-baring speech made by the character Launcelot Wake.

“'I see more than other people see,' he went on, 'and I feel more. That's the curse on me. You're a happy man and you get things done, because you only see one side of a case, one thing at a time. How would you like it if a thousand strings were always tugging at you, if you saw that every course meant the sacrifice of lovely and desirable things, or even the shattering of what you know to be unreplaceable? I'm the kind of stuff poets are made of, but I haven't the poet's gift, so I stagger about the world left-handed and game-legged... 

I'm not as good a man as you, Hannay, who have never thought out anything in your life. My time in the Labour battalion taught me something. I knew that with all my fine aspirations I wasn't as true a man as fellows whose talk was silly oaths and who didn't care a tinker's curse about their soul… I'd give all I have to be an ordinary cog in the wheel, instead of a confounded outsider who finds fault with the machinery...'”

I'm the kind of stuff poets are made of, but I haven't the poet's gift...

This goes right to the heart of the matter; it is the essence of the problem that some people have. 

Life is very difficult for anyone who is unfortunate enough to have the creative temperament without much in the way of creative abilities to go with it. Such people may feel stuck between two worlds, getting the worst of both and not fully belonging to either. 

Unable to function as well in everyday life as the ordinary people in the outer world do, unable to create anything or demonstrate any particular talent, gift or genius as the artists of various kinds who are in touch with other dimensions and the inner world do, they may feel inferior to the inhabitants of both worlds. 

Being able to demonstrate abilities far above normal in some areas may be compensation for and explanation of being obviously far below normal in others; having creative abilities may be some compensation for having to endure the torment of a creative temperament, while being able to function well in the ordinary world may be some compensation for being collective-minded and not having any special talents.

Considering that the highlighted words quoted above were spoken by someone who says he has no gift for poetry, it is ironic that, with the addition of a line or two, they could be part of a poem, perhaps something written by Rudyard Kipling! 

The Lament of Launcelot Wake 

I'm the kind of stuff poets are made of,
  But I haven't the poet's gift.
Between me and the world of the poets,
  There lies an unbridgeable rift!



Wednesday, 30 December 2015

Today is the 150th Anniversary of Rudyard Kipling’s birth

Rudyard Kipling was born on December 30th 1865, in India.

His life and his writings have been written about and discussed extensively. I have read a lot of criticism of him and his works and I agree with some of it, but he is still one of my favourite authors.

Kipling is also a person of interest because the kind of unseen influences that I am very interested in appear to have been at work in his life. This will be the subject of a future article.

In the meantime, there is a big coincidence involving a place in Hampshire where he stayed as a child. I have mentioned it in another article, but decided to repeat the story to mark the occasion of the birthday of a very great author and poet.

It came first as a surprise, then, on reflection, not such a surprise, when I first learned that Lorne Lodge, the ‘House of Desolation’ where he and his sister suffered so much as children, was (and still is) in Campbell Road in Southsea. ‘By chance’, Lorne Lodge is just around the corner from a house where my family lived for a while when I was 11 years old. What a coincidence. Although I knew nothing at the time, I always avoided walking down Campbell Road because it gave me bad feelings.

The name of the people Rudyard Kipling stayed with was Holloway; by coincidence, when my family left Southsea it was to go to a house very close to a big thoroughfare called Holloway Road. By coincidence, the ‘terrible little day-school’ called Hope House that Kipling attended in Southsea was run by a man with the same, not particularly common, last name as that of my step-mother, who was behind our move away from Southsea. She disappeared from our lives not long afterwards.

Sunday, 20 December 2015

Unseen Influences at Christmas

I don’t enjoy this time of year very much. Seasonal depression prevents much enjoyment and turns necessary tasks into impositions; painful memories and feelings surface and thoughts of what might have been become overwhelming.

People are stressed and I pick up a lot of the tension and unhappiness that are in the air.

Even though I am not a Christian, I hate the way that consumerism and secularism have taken over what should be a religious festival. 

Despite not being religious, I did go to a Christmas service once. It was at the suggestion of a neighbour. One fateful Christmas Eve many years ago, I went for the first time ever to a Midnight Mass. It was held in Westminster Cathedral, and I went just for the carols and the spectacle.

The outing was pure delight from beginning to end. I felt very well, euphoric even; I had the feeling that something wonderful was on the horizon; the weather was very mild; we saw some happy looking policemen driving around in a car that was covered in Christmas decorations.

I enjoyed the lights, the surroundings and the music inside the Cathedral very much. Just as midnight was striking, I wished very hard for a good cause to support and a new and exciting interest in my life for the coming New Year. 

The expression “Be very careful what you wish for as you may well end up getting it” is becoming a platitude but is very relevant here. A ‘chance’ meeting with a stranger on New Year’s Eve brought me exactly what I had wished for. For good or evil? I still don’t know. It led to some of the best and some of the worst moments of my life, including a Christmas that I still can’t bear to think about. 

Sunday, 6 December 2015

Prison guards and parents: two memorable passages

I was reading about the author and explorer Sir Laurens van der Post recently, and came across something that he wrote during his captivity in a Japanese prisoner-of-war camp.

Once, depressed, he wrote in his diary:

"It is one of the hardest things in this prison life: the strain caused by being continually in the power of people who are only half-sane and live in a twilight of reason and humanity.

Van der Post’s words summarise his experience very well; they are of particular interest and significance to me because they could also be used to describe some people’s experience of childhood – as seen in retrospect rather than at the time though.

Van der Post was an adult at the time of his internment; he had experienced freedom; he had seen a different world and lived a different life; he knew what reason, sanity and humanity were.

He had gone from the normal to the abnormal.

It is another matter when we are born into what seems like imprisonment and into the power of people who are more like prison guards or hostage-takers than caring parents. There is an extra dimension to deal with: we need to put everything into context and learn from first principles how decent human beings behave, and what reason and sanity are. 

Carole Nelson Douglas summarises this stage very well in Cat in a Midnight Choir:

“...no anger, no fury is stronger than the final, unavoidable realisation that the protector has betrayed his role and is really the destroyer. But it takes a while to find out that the unthinkable is not the status quo, and that your daily 'normal' is very abnormal to a larger world.“

People from dysfunctional families need to go from the abnormal to the normal.

It certainly does take a while, perhaps because after living so long in the twilight zone we can only take the truth in small doses and need to adjust to reality very slowly. We need to deal with some devastating realisations. 

Our lives may indeed have been as far from normality as Laurens van der Post’s life in the prison camp was.

Monday, 9 November 2015

Another recent string of minor misfortunes

I wrote about a bad day I had in a previous post. I have had a few more bad days recently, and I have a good idea what caused them.

I kept walking into and tripping over things at home, giving myself some bruises.

I went out on some errands. I fell very heavily just outside the library: all I did was step on a tiny stone, but it rocked forward, threw me off balance and tipped me right over. I was very shaken; I got some more bruises and I grazed my hands. 

Inside the library, a machine took my reservation money but did not credit my account; luckily the library staff believed me when I said I had paid, and they sorted it out.

I had a jarring shock when my internet connection suddenly stopped working when I was in the middle of something important. I did get it working again, but I had some bad moments.

The worst aspect was feeling depressed, apathetic and just plain terrible: as always, it got worse and worse then slowly wore off.

My normal practice at times such as this is to work backwards and look for an energy vampire. This time, I knew that a possibly stupid action of mine was responsible.

It all started when I saw a post on a consumer forum from someone who had discovered that his name and address details could easily be found online, even though he had opted out of the open electoral register. 

I went on the site he mentioned, and could not resist trying the name of someone I had not seen for a very long time: I went ‘no contact’ by choice as I just couldn’t take any more.