Stella Benson’s Living Alone: Part I

I recently re-read Stella Benson’s fantasy novel Living Alone to see what she has to say about witches. As with many other books featured on here, I first read it many years ago and just for entertainment. 

At the time, I overlooked things that now seem very significant indeed; I now see that there is enough material about witches, wizards and magic to generate more than one article.

There are also some autobiographical elements in the book; they will be included in an article about Stella Benson herself.

Part I starts with an overview of Living Alone and continues with some material from the book about magic and its practitioners.

About Living Alone

Living Alone consists of just ten chapters, so it is sometimes called a novella.

Living Alone has been described as a comedy, but it mentions desolation and has a horrible ending.

It is a very strange and unusual book, yet there are some familiar elements:

There are whimsical descriptions in Living Alone that make me think of J. M. Barrie’s Peter Pan.

The witches and their broomsticks in the book remind me of Terry Pratchett's witches.

There are a few scenes that remind me of the use of magic in Diana Wynne Jones’s Charmed Life.

London has a magic of its own. There are many references to locations in London, places that I know well and enjoy reading about. Stella Benson was writing from experience: she too knew London well.

Anyone who wants to read Living Alone will find it on Project Gutenberg.

Two birthdays for two Stellas

Stella Gibbons and her books have been mentioned many times on here. One article compares her and her life with Georgette Heyer and her life; they were both born in 1902.

Stella Gibbons was born on January 5th. A much less well-known writer called Stella Benson was born 10 years earlier on January 6th.

As in previous comparisons, there are some common elements and some large differences in the lives of the two Stellas.

Stella Benson came from a much higher social class than Stella Gibbons. 

Stella Benson suffered from ill-health for much of her life whereas Stella Gibbons was fairly robust. 

Both writers had alcoholic fathers. Stella Gibbons was 24 years old when her father died; Stella Benson was 19 at the time of her father’s death,

Stella Gibbons was sent to school for the first time when she was 13; Stella Benson was 14 when she first attended school.

Stella Gibbons was brought up an atheist. She converted to Christianity after meeting the man who would become her husband. Stella Benson was brought up in a church-going family, but she came to reject Christianity - and other religions.

Stella Benson was a great traveller and lived in the USA and China, while Stella Gibbons just went to Europe for holidays and lived in the Hampstead area of London for her entire life.

Stella Benson won the Femina Vie Heureuse Prize for English writers in 1932; Stella Gibbons won this prize in 1933.

Stella Gibbons died in December a few weeks before her 88th birthday; Stella Benson died in December a few weeks before her 42nd birthday.

Stella Benson wrote two books that sound promising as a source of material about unseen influences: Tobit Transplanted and Living Alone.

Cults and John Masefield’s Box of Delights

I have recently been re-reading John Masefield's children’s fantasy novel The Box of Delights.

I wanted to have another look at the references to Christmas Eve. I was also hoping to find some previously overlooked material about witches, but instead I noticed for the first time that a conversation between two of the characters has relevance to what I now know about cults.

This dialogue was written in 1935. It is uncanny how relevant and significant it is when we look at the methods cults use to recruit their victims and what constitutes an effective resistance to these techniques. I missed all this in past readings of the book but can see it now.

Maria Jones and the evil witch

One of the characters in the book is a girl called Maria Jones. She is a friend of Kay Harker, the young hero.

She is just a small child; she is known to everyone as ‘little Maria’. She is blunt, tough and fearless, rather like Joan Aiken’s Dido Twite in The Cuckoo Tree. She loves guns and has gangsters on the brain.

Maria shows that she has more sense than many adults who are manipulated into joining cults or other unethical organisations when the witch Sylvia Daisy Pouncer and her villainous husband Abner Brown decide that Maria shows promise and would be a good acquisition for their gang.

They kidnap and imprison her. Sylvia Daisy tries to persuade her to join them. Maria is not fooled; she is defiant and not at all daunted and she stands up for herself very well.

John Masefield and the magic of Christmas Eve

The writer and poet John Masefield’s two children’s books The Midnight Folk (1927) and its sequel The Box of Delights (1935) have been previously mentioned on here because of the witch Sylvia Daisy Pouncer.

Sylvia Daisy plays a much larger part in The Midnight Folk than she does in The Box of Delights, but the latter book is of interest for other reasons. 

Masefield’s words create beautiful pictures in the imagination - the descriptions of winter and the Christmas season are particularly good - and invoke positive magical influences which are ideal for helping to counteract seasonal depression and the sinister forces that are active at this time of year. 

The story, which features magic, adventure, time travel, sinister wolves, brave children and the battle between good and evil, begins a few days before Christmas with the young hero Kay Harker returning from boarding school for the holidays; it ends on Christmas Eve with a joyful and triumphant midnight service in the Cathedral. 

It is interesting that Sylvia Daisy Pouncer and her evil associates try to prevent this service from being held. As was mentioned in this article, disrupting the midnight service on Christmas Eve is a big coup for practitioners of black magic.

A six-episode BBC TV series was made in 1984. Although for me books are always best and many associated films make me feel furious, disappointed and disgusted, I have found this series to be worth watching. I like the theme music very much.

The Box of Delights series is available on DVD, and some kind person has loaded the episodes onto YouTube.

I may come back to John Masefield’s children’s book again. In the meantime, I hope that this brief description and strong recommendation will inspire people who haven’t already discovered The Box of Delights to investigate this wonderful book and its TV adaption. 

Depression at Christmas

Some of what I said in the article about depression at the autumnal equinox can also be applied to the Christmas holiday season: the winter solstice too may subtly affect us. 

There are obvious additional and external factors when Christmas is involved, however there is sometimes more to it than being overwhelmed and demoralised by practical problems: evil forces may be abroad!

I realised a while back that even if there are no energy vampires, emotional blackmailers and other undesirables in our lives, we can still be influenced negatively by people in general. 

I have found that Christmas is a time when this is particularly noticeable. There is a lot of stress, tension, misery and general bad energy in the air, in the big cities at least, and some sensitive people pick it all up. 

We may be badly affected by the cumulative inner states of both the large numbers of people who are rushing around with too much to do and too little time to do it in and the many unhappy, isolated people for whom this is the worst time of year. 

Then there are the intoxicated ones, people who have been celebrating - or trying to escape - the festive season. People who are under the influence of something are often frightening and dangerous because they are out of control; they may be also be surrounded, affected or even controlled by malign entities that their inner state has attracted.

During the run up to Christmas, the streets are filled with hordes of people moving like zombies on the march. I don’t get caught up in the spending frenzy and the Christmas madness myself; I find it all alarming and incomprehensible.  

I do usually go out to see the best Christmas lights and shop windows, but I try to go at relatively quiet times.

A tale of two foxes

I described some amazing coincidences and synchronous events in my life a while back in this article.

One incident involved a magazine with a picture of a fox cub; now I can add an anecdote involving two adult foxes.

I have only ever seen live foxes on two occasions, and in both cases unseen influences appear to have been at work.

The first encounter happened many years ago, shortly after I saw a beautiful fox in a TV advertisement - for whisky if I remember correctly - and realised that I had never seen a fox in real life, apart from a dead one by the side of the road which was probably left there by a motorist who had hit and killed it.

I used to take my washing to a launderette on a busy main road and go for local walkabouts while the wash was in progress. I favoured a circular route for which the timing was perfect. It took in a public garden and some interesting buildings and back streets.

Lucy M. Boston, her birthday and her memoirs

The English novelist Lucy M. Boston, who is often known as L. M. Boston, was born on December 10th 1892. She was over 60 when her first book was published, and she lived to the age of 97.

She is of interest to me mainly because of her book An Enemy at Green Knowe. The enemy in the title is the scholar, black magician and demon-possessed witch Dr. Melanie Powers, who has been mentioned in passing in a few articles. This is the only book in which Lucy M. Boston writes at length about the battle between good and evil.

There is little in Lucy M. Boston’s life to explain where Melanie Powers and her very familiar characteristics and behaviour came from; unlike Nicholas Stuart Gray’s and Diana Wynne Jones’s witches, she was not based on the author’s mother: Lucy M. Boston’s mother was unhappy and neglectful, but not cruel and evil.

However, the magical house Green Knowe, whose name appears in the titles of her series of children’s fantasy books, is taken directly from Manor House, which was built by the Normans around the year 1130 and was her home for almost 50 years.

Manor House is still in the Boston family and is now open to the public. Maybe I will go to see it some time.

Perverse and Foolish

Lucy M. Boston’s autobiographical work Perverse and Foolish: A Memoir of Childhood and Youth describes her life up to the time of her marriage.