Two incidents at the equinox

The article about depression at the autumn equinox describes how Charlotte Brontë suffered badly for a month to six weeks at this time of year. 

I have been feeing under the weather for around two weeks myself. It is worse than it has been in recent years, but nothing like as bad as it got in the distant past. 

While it helps to know that certain unseen influences may be at work, this doesn't stop the feelings of malaise, stagnation, despondency and being unprotected; it doesn't stop approaches from strangers who make me feel uncomfortable either. 

I experienced two such incidents when I went out shopping recently.

The first one happened when I visited a shopping centre some way from where I live. I have been there many times in the past, but I felt confused when I came out of the station. I made a false start or two, then set off down what I soon realised was the wrong road. As I walked past some tables outside a café, a rather weird and witchy older woman with straggly grey hair who was sitting there called out loudly, eagerly and triumphantly, “Hello darling” as if she knew me! 

I am wondering whether I fell into her psychic trap or answered her call and was drawn to that place because my defences were low at the time. The shopping expedition was not a success: the store I planned to visit had closed down and I came home with nothing.

The second incident happened when I was standing in a queue at a big supermarket. Someone just behind me started to comment in an over-friendly manner on the items I had selected; I looked round cautiously and saw that it was a rather weird and witchy older woman with straggly grey hair! The woman on the till was very slow and there were several people waiting in front of me, so I was a captive audience. I just smiled vaguely while she kept talking.  She also said loudly, “Hello darling” to the woman on the till! It was definitely not the same person though.

I am wondering what drew her to my queue and not one of the others. 

A few points about people who join cults

Steven Hassan's best-selling book Combating Cult Mind Control, which is described as a 'Guide to Protection, Rescue, and Recovery from Destructive Cults', is a good starting point for people who want to learn something about cults. First published in 1988, it is still very relevant.

This book contains a lot of useful - not to mention depressing, disturbing, sinister and chilling - information and covers many cult-related topics.

Steven, aka Steve, Hassan is American; he is a former high-level member of the Unification Church or 'Moonies'. Much of what he says about this cult and his life inside it has a much wider application.

This article covers a few points of particular interest that Steve Hassan makes in connection with joining cults.

He says for example that the Moonies justify the use of deception to recruit new members. So do many if not most cult-like organisations. Misleading people, luring them somewhere under false pretences and downright brazen lying are common practices; some examples can be found in this article.

A key point about people who join cults
Steven Hassan makes a very good point here:

“It is important to remember that for the most part, people don't join cults. Culls recruit people.“

This is very true in the majority of cases. Most people who join cults do so only because they were approached and manipulated by unscrupulous members with recruitment targets to meet: they would not have sought out and joined the cult of their own inclination and free will.

Some cults however are very exclusive, at least in the early stages of their existence. They prefer quality to quantity and try to attract rather than target people. They make it difficult to join and they let the would-be members make all the running and prove themselves worthy. Of course, this could be a clever recruitment technique!

Something about Nicholas Stuart Gray's Grimbold's Other World

I recently read Nicholas Stuart Gray's Grimbold's Other World (1963) for the first time. 

This little fantasy book is written in the style of fairy tales; each chapter is followed by a poem. 

I wish that I had encountered this book when I was very young and could read it just for the settings, the stories, the characters and the humour as I did with Nicholas Stuart Gray's Over the Hills to Fabylon: the references to not belonging and the dangers of being involved with magic and other worlds are the main interest now.

Grimbold and Muffler
Grimbold is a black cat who introduces a boy called Muffler, who was found in a hen's nest by some villagers and is 'different', to the night world and its inhabitants.

Muffler has a whole series of adventures in his world and the night world. He is involved with a variety of characters including a sorcerer, talking animals, birds and trees and mythological beings such as dwarves. 

Children will enjoy the stories for their own sake, but adults who are interested in unseen influences may notice some sad and alarming messages.

The quotations speak for themselves – and for the author and others who don't feel at home in this world.

The villagers say this about Muffler:

“We must be gentle, and not let him suffer for being different.”

The narrator makes this depressing – but true - comment:

“This, of course, was not possible. Everyone must suffer who is different.”

Grimbold's Other World contains many warnings about what happens to people who get involved with magic and the night world.

Lucy M. Boston's witch Melanie Powers and Green Knowe revisited

The children's writer Lucy M. Boston, author of the Green Knowe series, has been featured in an article about her birthday and her memoirs. There are brief references to her witch Dr. Melanie Powers in a few other places, and some elements that this evil woman has in common with fellow fictional modern-day witch Miss Heckatty are described in the article about Linwood Sleigh's witches. 

I re-read An Enemy at Green Knowe recently, and, just as happened when I took another look at Beverley Nichols's books about the witch Miss Smith, I found some more material to comment on.

Starting with some coincidences

The main story begins when the boy Ping asks old Mrs Oldknow if she knows anything about a 17th-century man called Piers Madely. She says that this is odd, because she had been thinking about Madely earlier that day!

She tells the disturbing story of the good vicar Piers Madely and the unprepossessing occult scholar, alchemist and necromancer Dr. Vogel, whose evil books and manuscripts were all burned, to Ping and his friend Tolly, who is her great-grandson. The very next day, a letter arrives from a Dr. Melanie D. Powers enquiring about Dr. Vogel's collection!

Before the letter comes:

“The queer thing about Grand's stories," Tolly explained to Ping, "is that bits of them keep coming true now, although they are all so old.“

After the letter comes:

"There you are, Ping!" Tolly exclaimed. "Didn't I tell you part of Grand's stories always come true? She no sooner mentions Dr. Wolfgang Vogel than Dr. Melanie D. Powers comes asking about him."

Perhaps Mrs Oldknow had been thinking about Dr. Vogel because she subconsciously sensed that the letter was coming.

A closer look at Rachel Ferguson and The Brontës Went to Woolworths

This article features some material in The Brontës Went to Woolworths that gives me the idea that Rachel Ferguson had personal experience of the problems that creating imaginary relationships and living in fantasy worlds can cause. 

She mentions the importance of being very careful when talking in the real world to people who have been the targets of fantasies; she also says that these people must be accepted and dealt with as they really are. She describes some inner conflicts that result from having too many fantasies on the go.

Being very careful when speaking to targeted people
Some of the things that the narrator Deirdre Carne says give me the idea that Rachel Ferguson herself had been in a situation where someone had been part of her life in her imagination long before she actually met them in real life. Deirdre mentions for example how difficult it is to have to treat people as strangers when they have been one of the family for years! 

This again reminds me of the double agents in Rafael Sabatini's books who were mentioned in the introductory article: people who live a double life must be careful to keep their stories straight and not give themselves away.

Deirdre has feelings of unreality when about to meet Lady Toddington for the first time in real life. The information that she has either invented or obtained via her researches makes her feel both advantaged and disadvantaged when talking to her.

Deirdre slips up a few times but gets away with it. 

She says this about the necessity of bringing Lady Toddington up to speed:

“Meanwhile, there was the spadework of the situation to get through, and I wondered how long it would actually take to bring her up to the point at which I had arrived long since, so that we could all start level.”

I suspect that Rachel Ferguson must have done some similar spadework, slowly putting her cards on the table one by one. How else could she have come up with something like that!

Yet more about Rachel Ferguson and The Brontës Went to Woolworths

Readers of Rachel Ferguson's 1931 novel The Brontës Went to Woolworths do not always find it easy to determine which incidents are real and which take place only in the imaginations of some of the characters.

Another key case for consideration is how much of the story comes from Rachel Ferguson's own experiences. 

This book also raises some questions about the effect on all concerned of the ongoing game played by the imaginative and fun-loving Carne family:

What effect does playing this game have on the players?

What effect does it have on the people who are mentally targeted?

What happens to everyone involved in the game when fantasy meets reality? 

The previous article describes some of the dangers and damaging consequences of fantasies that involve imaginary relationships; this one attempts to show why the answers to these questions are not what might be expected. 

What effect does the game have on the players?
It is dangerous to spend too much time living in a fantasy world. People who do this compulsively, intensively and continually may become borderline delusional; they may fall apart when their dream world collapses because they haven't got anything else to live for.

The three Carne girls and their mother get off very lightly however. 

Perhaps they escape the usual consequences because the fantasies are out in the open and shared rather than, as is more common, indulged in secretly by just one person. 

Perhaps they escape because the game they play is mostly treated as a joke and a pastime rather than a matter of life and death. Apart possibly from Sheil, the youngest girl, they know that it is just a game. 

More about Rachel Ferguson and The Brontës Went to Woolworths

The first article inspired by Rachel Ferguson's 1931 novel The Brontës Went to Woolworths features some miscellaneous material of interest from the book.

This one has something to say about the ongoing game played by the eccentric and bohemian Carne family. It was the unexpectedly positive results of this game and the possibility that Rachel Ferguson was writing from her own experience of imaginary relationships that inspired these articles.

The frivolous family saga
The Brontës Went to Woolworths is primarily about the game the Carnes play. They live in a fantasy world of their own creation in which their toys, their dog, people they have never met and even ghosts of the Brontës have starring roles. 

The three girls and their mother mentally appropriate real-life people who appeal to their imaginations and incorporate them into their lives. They invent stories about them; they have imaginary conversations with them; they behave and talk about them as if they were part of the family circle. They even sometimes pretend to be them, acting out the parts with each other.

The benefits of playing the game
The Carnes are high-spirited and playful; they are sometimes rather silly. They love to joke, imitate people and make up stories about the toys, the dog and people of interest and their activities. They sing and dance; they also like acting: they pretend to be a variety of characters. 

While they do all this mainly for their own amusement, they may also do it to distract themselves from a painful family situation. 

The exercising of their imaginations and talents and having fun is enough to explain why they all enjoy performing, creating stories and role-playing, but the Carnes may also be trying to distract themselves from the grief caused by the death of the girls' father. Their obsession with the elderly and illustrious Lord Justice Toddington may be an attempt to compensate for their loss.  

Taking things a little too far?
The Carnes sometimes go a little too far. For example, they give each other cards and presents from their toys and people they have never even met!

The girls go to great lengths to learn about people who capture their interest; they also practice something that comes close to stalking.