Something about Rachel Ferguson and The Brontës Went to Woolworths

I first heard about Rachel Ferguson's novel with the intriguing title some years ago, but only recently got around to reading it.

The title is a little misleading: the Brontës appear only briefly in the book and then only in ghost form. 

I found The Brontës Went to Woolworths to be of interest more for the connections and coincidences than for the characters and story.   

The book, which was first published in 1931 and is set in the London of the time, features a bohemian, eccentric family consisting of a widowed woman and her three daughters. They all participate in an ongoing game in which they make up stories about and have imaginary relationships and conversations with real people they have never met. 

This game and the effect that it has on their lives will be covered in a future article; first comes some miscellaneous material of interest.

The Celtic connection 
The last name of the family in The Brontës Went to Woolworths is Carne. The three daughters are Deirdre, Katrine and Sheil.

All of these names have Celtic connections.

Carne is a name of Gaelic origin; it means a pile of stones or a cairn.

Deirdre is an Irish name; Katrine and Sheil are Scottish place names. The girls' father was born on the Isle of Skye.

The Celtic heritage might explain why the girls can see ghosts and their father could see nature spirits.

Ferguson is also a name of Gaelic origin, and ghosts appear in some of Rachel Ferguson's other books.

Brontë connections and the Carne coincidence 
Like many other writers featured on here, May Sinclair for example, Rachel Ferguson was very interested in the Brontës and produced works about and/or inspired by them. She probably got the idea of siblings who share an imaginary world from Brontë biographies. 

Jean Rhys: is psychology enough to explain everything?

The previous two articles in the series inspired by Carole Angier's biography Jean Rhys: Life and Work were created to answer one big question and one small one. One article gave some good reasons for reading such a depressing book; the other looked into the possibility that Diana Wynne Jones had used material from the biography in her book Black Maria. 

The time has now come to attempt to answer the question of questions: does Carole Angier's psychological interpretation of Jean Rhys's personality, behaviour and experiences cover and provide an explanation for everything? 

The connections and familiar metaphysical features and elements covered in previous articles support the idea that certain unseen influences were at work in Jean Rhys's life, but it is good practice to start with the most obvious explanations and move on and widen the enquiry only if these are found to be unsatisfactory.

Just as Aunt Maria operates on three levels, Jean Rhys and her life can be looked at from three viewpoints: the psychological, what might be called the occult, and something in between the two.

Carole Angier's psychological viewpoint is the first to be considered.

Jean Rhys's infantile personality
Carole Angier makes many insightful remarks about Jean Rhys and provides much biographical material to support her ideas. 

She makes the point that Jean Rhys never grew up. This is very obvious: we do not need to be Sherlock Holmes to deduce that one! 

Defence Against the Dark Arts Part XVI: J. B. Priestley's Low Notes on a High Level

The novelist J. B. Priestley has been mentioned both as a reader of and contributor to the Everyman Library and as the author of Angel Pavement, the likely inspiration for Stella Gibbons's novel My American. 

One of his minor works is a little book called Low Notes on a High Level, which was first published in 1954. 

Priestley called Low Notes a 'frolic'. It is very light; it is amusing and original. 

The plot is preposterous; it features some huge, bizarre, imaginary musical instruments that can play very low bass notes. Also included are some colourful characters, a fictional Scandinavian country, classical music on the radio and a pirate broadcasting station run by a freedom-loving rebel. 

Unlike some of the other featured books, Low Notes does not contain much quotable material. The story needs to be read as a whole: most extracts would not do justice to the book as they wouldn't mean very much or seem very amusing without the surrounding context.

Satire in Low Notes on a High Level
Priestley was a strong critic of many aspects of contemporary society. In Low Notes he took the opportunity to satirise practices of the day that he disapproved of and people he had a low opinion of. 

Much of Priestley's criticism of certain organisations and the people associated with them was inspired by his experience of working for the BBC as a radio presenter during the Second World War.

He disliked politicians, pretentiousness and bureaucracy; he rather despised conformists, people who are types rather than individuals and herd members who don't think for themselves - like these two committed consumers for example:

“If the Coronation had lasted for twenty-two hours on TV, they would never have taken their eyes off the screen, even at the risk of going blind and dotty. Always they did as they were told, Enid asking for Shifto the magic washing powder, Bernard demanding Filter-Dung the new cigarette.”