Charles Lamb's sad words about the New Year

There are two very promising titles among the works of the poet and essayist Charles Lamb: Satan in Search of a Wife and Witches, and Other Night-Fears. However, he is of interest here because of some topical quotations. 

Alfred, Lord Tennyson wrote a poem about the bells that ring in the New Year.

Charles Lamb too had something to say about bells and the New Year:

“Of all sound of all bells… most solemn and touching is the peal which rings out the Old Year.“

This quotation comes from a rather depressing essay about the past and the future called New Year's Eve, which was published in the London Magazine on January 1st 1821. 

Charles Lamb also said that New Year's Day is every man's birthday and that -

“No one ever regarded the First of January with indifference.”

This is the time of year when we think about people who have gone for ever. This even more depressing quotation is from Charles Lamb's best-known poem The Old Familiar Faces:

“How some they have died, and some they have left me,

And some are taken from me; all are departed -
All, all are gone, the old familiar faces."

The Three Ships of Christmas

The beautiful Christmas carol I Saw Three Ships has inspired some beautiful artwork. 

I have selected three pictures that I like very much.

This is a seasonal postage stamp from 1982:

This is a charity Christmas card:

This Christmas card is the work of the great fantasy artist Rodney Matthews, who may be the subject of an article one day:

Two temptation scenes in Jonathan Stroud’s Lockwood books

This article has something to say about what might be called the temptation of Lucy Carlyle, a major character in Jonathan Stroud's Lockwood & Co. books, by a whited sepulchre of a woman who goes by the name of Penelope Fittes.

The two featured temptation scenes are of particular interest because there are similar scenes in other books that I like, many of which have previously been featured or mentioned on here.

Penelope Fittes is head of the Fittes Agency, the oldest and biggest psychical detection agency; she is one of the most powerful and influential people in the country.

She is a very glamorous and elegant businesswoman. At first she appears to be a good person and well disposed towards Anthony Lockwood and his colleagues, but she is not what she seems. She is gradually revealed to be a ruthless exploiter and destroyer of people, living and dead. She has many dark secrets; she has much blood on her hands.

The first temptation of Lucy Carlyle
In The Whispering Skull, the second book in the series, a member of the Fittes Agency flatters Lucy Carlyle and tries to lure her away from Lockwood & Co.: 

“Ms. Carlyle, you’re clearly the most intelligent of your team. And you’ve some Talent, too, if everything I’ve heard is true. Surely you don’t want to hang around with these losers any longer. You’ve got a career to think of. I know you had an interview with Fittes a while ago; I know they failed you, but in my opinion”— he smiled again— “they made a bad mistake. Now, I have a little influence within the organization. I can pull strings, get you a position within the company, just think: instead of eking out a living here, you could be at Fittes House, with all its power at your disposal.”

This makes Lucy very angry. She likes her life as an employee of the Lockwood Agency and she likes her colleagues Anthony Lockwood and George Cubbins, who are in any case very far from being losers. She tells her tempter that she is quite happy where she is.

This offer may seem relatively harmless if rather patronising: the Fittes man recognises talent when he sees it and just wants to recruit a good person for his team. However, it is Penelope Fittes who is behind this and further attempts to recruit Lucy: she wants to make use of her gifts, and whatever she wants she is determined to get.

Defence Against the Dark Arts Part XXI: The artwork of MacDonald Gill

Just like the writer Nicholas Stuart Gray, the graphic artist MacDonald Gill deserves to be much better known. 

MacDonald (Max) Gill (1884  – 1947) was a cartographer, a letterer, an architect, an illustrator and much more. He is best known for his decorative maps. 

I particularly like his sunbursts, and I enjoy scrutinising his maps to locate streets I have lived in or know well.

There are many images of his work online; I have selected just a few representative examples for this article. 

This beautiful mural of the North Atlantic was created in 1935 for the first class dining room on the great ocean liner RMS Queen Mary:

I love Gill's old maps of London, with their amusing images and text. 

Two details from The Wonderground Map of London Town (1914):