A few quotations from Dion Fortune's occult novels

In addition to her non-fiction books, the occultist Dion Fortune wrote five novels. While the stories themselves don't inspire commentary, some of the expressions and observations in these novels really stand out and are worth highlighting. 

This article contains a few propositions that particularly resonated when I first came across them.

Beggars can't be choosers

“...it does not do to be angry with life unless one has private means...”

From The Winged Bull (1935)

These wise words may be painful to read and difficult to accept, but they are very true. This may be a bitter pill to swallow, but the difference between operating from a position of weakness and operating from a position of strength is often a matter of financial independence. 

Some people just can't afford to have any feelings or views; they would make things worse for themselves and lose what little they have by challenging someone or something. 

People who have private means, money that is not dependent on the employment market or the whims of other people, are very fortunate: they don't need to put up with the hardships, ill-treatment and injustices that wage slaves and penniless people are forced to endure. 

They can afford to take a stand and fight for their cause.

Independence of mind is another great advantage

“People who value public opinion are at a very great disadvantage in dealing with people who don't.”

From The Sea Priestess (1938)

This proposition complements the one above.  It can also apply to people who overvalue the opinions of the people around them.

People who value public opinion can indeed be greatly handicapped when both dealing and competing with people who don't. 

People pleasers and others who care very much what people in general think of them are operating from a position of weakness. They may feel that they can't afford to get angry, say what they really think or do what they really want to do. Fear of negative reactions and manipulations such as criticism, disapproval, reproaches and rejection may hold them back and keep them in their place while people who don't care what others think of them forge ahead. 

People who are indifferent to public opinion operate from a position of strength. They have independent means – on the inside. They can afford to be straight with other people. They have the courage of their convictions; they take their own path through life, going where the other lot can't follow. 

Anyone who has both financial and psychological independence is very fortunate indeed.

“Intelligent people don't join cults”

Steven Hassan's informative and thought-provoking book Combating Cult Mind Control, his best-selling 'Guide to Protection, Rescue, and Recovery from Destructive Cults', has inspired a series of posts. The final article,  A few points about helping cult leavers, mentions his books Releasing the Bonds and Freedom of Mind as additional resources for people seeking information about cults and how to get members out of them. 

These books, which were published after Combating Cult Mind Control, appeared from their online descriptions to be more of the same, with much repetition of key points, advice and useful information and more case histories; I assumed that I wouldn't find anything that I would want to comment on in them. 

I have since read through Freedom of Mind: Helping Loved Ones Leave Controlling People, Cults, and Beliefs, which is a revised and updated version of Releasing the Bonds, and I came across a small amount of material that I want to highlight.

This article features more of Steve Hassan's wise words on the subject of people who join cults. 

A misconception about intelligence
Freedom of Mind lists some common cult-related misconceptions and errant beliefs held by many people, including the idea that intelligent people do not join cults. 

While this conviction may have come from personal experience - it may be the result of having encountered people from the lower levels of certain religious cults for example – it definitely does not apply in all cases. As Steve Hassan tells us, intelligent people do join cults:

“Many people have a hard time believing that bright, talented people— often educated, and from good homes-—could fall under the control of a cult. They fail to realize that cults intentionally recruit smart people who will work tirelessly for the cause. Many of the former cult members I have met are exceptionally bright and well educated. They have active imaginations and creative minds. They have a capacity to focus their attention and concentrate. Most are idealistic and socially conscious. They want to make a positive contribution to the world.”

All this makes sense. Such people may also be recruited because they are a good advertisement for the cause and may attract others of their kind into the cult.

Oscar Wilde's interesting words about the colour green

The many occurrences of the colour green in Sir Arthur Conan Doyle's essay collection Through the Magic Door  inspired an investigation into green references and connections in Conan Doyle's life and works.

I came across an interesting statement about the colour green by the poet and playwright Oscar Wilde along the way. His words have inspired yet another article about this colour. 

Oscar Wilde on the colour green 
As mentioned in the article about Conan Doyle, Sherlock Holmes and the colour green, Oscar Wilde, who incidentally often wore a green carnation, wrote an essay called Pen, Pencil, And Poison - A Study In Green about an art critic who was a secret poisoner. 

The artist, author and suspected serial killer in question was Thomas Griffiths Wainewright, who was mentioned by Conan Doyle in a Sherlock Holmes story and was a friend of Charles Lamb.

Wilde's descriptions of the man, his life and his crimes are mostly irrelevant here, but as a matter of interest Wainewright spent his boyhood at Turnham Green, he was educated at the Greenwich Academy, and he later had a pomona-green chair in his library.

Wilde's essay contains these thought-provoking words about Wainewright and the colour green:

“He had that curious love of green, which in individuals is always the sign of a subtle artistic temperament, and in nations is said to denote a laxity, if not a decadence of morals.“

Green has always been my favourite colour. Why is this curious? I like the idea of the artistic temperament though! 

Two green-loving peoples
When it comes to the love of green in nations, Wilde is probably referring to various Islamic countries and what is now the Irish Republic. Both Muslims and Irish Catholics favour the colour green, and Conan Doyle, who like Wilde was an Irishman, was well aware of this.

In Conan Doyle's Green Flag, Arab tribesmen capture the Irish regimental flag. One of their sheikhs says that by its colour it might well belong to the people of the true faith - i.e. Islam.

Two more victims of 'psychological black magic'

The article about two very convenient 'accidents' describes how a work colleague escaped from some difficult situations at someone else's expense. 

I have remembered another example of someone I worked with causing suffering to others by using illegitimate methods to deal with a work-related problem. 

The victim of the first colleague was a little girl; on the second occasion two young men were involved. These men became ill rather than having accidents and they were deliberately targeted rather than indirectly affected, but once again the case involved a perpetrator who failed to negotiate with people in the normal manner and the phenomenon that I think of as psychological black magic.

The background to the story
The events described here happened some years after the first case, and they took place in a different company. 

They involved a colleague I shall call Ms X. I was very wary of her right from the start, and the trouble that she subsequently caused, of which this story is just a small example, showed that my instincts were correct.

Ms X was a senior accountant. In addition to her main job, she did the accounts for another organisation or two on a voluntary basis in her spare time – I think it was for the Brownies and/or her local church. 

The voluntary work started to feel like an imposition. Rather than just tell the people concerned that it was getting too much for her, Ms X very typically tried to manipulate some fellow employees into taking her place.

The first victim
Ms X got one of the more junior accountants to take on some of her voluntary work; he then became very ill and took extended medical leave. By the time he returned, she had left the company.

The second victim
The second man was a colleague of the first. He resisted the pressure to take over some of the voluntary accounts work; he then became very depressed. He left the company. His new job didn't work out, and he eventually returned to his old position.  By this time, Ms X had left the company.

A little New Year poem from Ogden Nash

 Alfred, Lord Tennyson's inspiring poem about the bells that ring in the New Year has been featured on here, as has Charles Lamb's sad poem The Old Familiar Faces.  

The American humourist Ogden Nash (1902 – 1971) wrote a little verse about the New Year in a rather different spirit:

Good Riddance, But Now What?

Come, children, gather round my knee;
Something is about to be.
Tonight’s December thirty-first,
Something is about to burst.
The clock is crouching, dark and small,
Like a time bomb in the hall.
Hark! It’s midnight, children dear.
Duck! Here comes another year. 

The poem's title is spot on. It expresses very well what some people feel at the end of yet another horrible year: they can't wait to see the back of it. Good riddance indeed! 

The title also suggests that the coming year might be even worse. We have no idea what is in store for us; we shall just have to wait and see what comes.

More about John Buchan and the colour green

Looking for reasonably significant references to the colour green in John Buchan's books involves eliminating a very large number of descriptions of natural features such as uplands and downs, mountains and moors, water and trees, not to mention discarding a large quantity of protective outdoor clothing such as felt hats, capes and tweed coats. The much smaller number of occurrences of specific shades such as apple green and olive green are not of much interest either. 

After the routine references to the colour green have been removed, some examples of interest remain; it has taken two articles to cover what might be described as “the best of the rest”. 

The first article about John Buchan and the colour green  contains green references taken from his writings; this article contains more such references, and it also lists some green people and places of interest in his life.

Some miscellaneous green references
This section of the article has been inspired by some amusing material in Buchan's Prince of the Captivity that I quoted in the article about his Island of Sheep: 

“There were too many houses at Bournemouth, and too many people at Broadstairs, and a horrible band in green jackets at Eastbourne, and a man who made ugly faces at Littlehampton...”

Using that as a model, I have listed some miscellaneous, mostly minor, green references from various novels.

There is an archaeologist called Wintergreen, some green lizards, some wallpaper with pink and green parrots, an envelope heavily sealed with green wax and a strange girl dressed in an unusual shade of green who wears one green glove in The Dancing Floor; there is a Liberal candidate called Orlando Greenstone, a knitted tea-cosy in purple and green and an ancient hostelry called the Green Tree in Castle Gay.

There is a man called Green, a little green lamp, more green lizards, a Border dining club whose members wear faded green coats, green face paint and a translucent green tablet in The Island of Sheep; there is veined green marble, green alabaster, green imperial jade, two green doors and an emerald necklace in Huntingtower.

There is a man called Greenlees and a green drawing room in A Gap in the Curtain; there are green crabs, a green awning, green wooden seats and many references to Greenland in A Prince of the Captivity; in addition to the material already quoted, there are green sun-shutters, green sickness, a pink and green hearthrug and a green dressing gown in Greenmantle.

A tale of two very convenient 'accidents'

The article about workplace memories was inspired by a few comments made to me by fellow workers many years ago. 

Two incidents involving another colleague surfaced in my mind recently while I was thinking about the past. Again, they seem much more significant now that they did at the time. They provide supporting evidence for some of my ideas about psychological black magic, one of the unseen influences that inspired the creation of this blog.

The first 'accident'
It all started when a colleague, a computer programmer I shall call Mrs M., realised that she had made a mistake after making some requested changes and putting the updated software onto a spool of magnetic tape for the computer operators to release into the live system. She suddenly thought of a possible problem; rather than confess and follow the proper procedures, she fixed the error and when she thought that no one was looking went to replace the original tape with the new one that she had made.

Mrs M. got caught by the operators in the act of substituting the new tape for the old one. She was not too popular with them and they had a big argument. She became very upset and said, “Why can't they trust me?” 

The atmosphere was becoming increasingly charged, then her phone rang. It was a neighbour: Mrs M.'s little girl had just fallen from her bike and the neighbour had carried her inside. She was slightly hurt, and the neighbour wanted Mrs M. to go and collect her.

So Mrs M. was off the hook – for a while at least. She had a perfect pretext for escaping from the office and the trouble that she had created.