Conan Doyle, Sherlock Holmes and the colour green

While trawling through Sir Arthur Conan Doyle's essay collection Through the Magic Door, I noticed that he mentions the colour green many times. 

This gave me the idea of looking for occurrences of this colour in Conan Doyle's life. I found more green connections than I was expecting, including some for Sherlock Holmes, and have summarised my findings here. The people, places and other items in the list may not seem particularly significant, but they certainly are interesting. 

Could it be more than just coincidence that some of Conan Doyle's work was probably inspired well before it started by someone called Green, was definitely documented long after after it ended by another person with the name of Green, and during the productivity period in the middle was edited by a man with Green in his name and published by a company with Green in its name?

Anna Katharine Green: the inspirer

Anna Katharine Green (1846 – 1935) was an American writer of pioneering detective fiction. She invented many standard features of the modern detective story; she has been called the mother of the detective novel. Her first, and best-selling, book The Leavenworth Case appeared around nine years before the first Sherlock Holmes story was published. She is believed to have inspired Conan Doyle, who was a fan of hers and corresponded with her.

Mystery writer Patricia Meredith has written and spoken about this connection:

Richard Lancelyn Green: the documenter
Richard Lancelyn Green (1953 - 2004) was considered to be the world's foremost scholar and leading authority on the topics of Sherlock Holmes and Sir Arthur Conan Doyle. He collected much material and produced extensive notes for a three-volume biography of Conan Doyle, but died in mysterious circumstances before it was finished.

He collected and introduced some Sherlock Holmes tribute stories: 

A few points about getting people out of cults

This is the third article inspired by exit-counsellor Steven  Hassan's book Combating Cult Mind Control, his 'Guide to Protection, Rescue, and Recovery from Destructive Cults'. 

After covering some of the interesting things that Steve Hassan has to say about how cults recruit people and his disturbing information about life inside cults, I now want to highlight a few of the useful points that he makes in connection with getting people out of cults.

I have already produced an article about the difficulties of leaving a cult, but Steve Hassan's book has inspired some more commentary.

Three ways to get out of a cult
Steve Hassan comes straight to the point here:

“People leave a group in three basic ways: they walk out, they get kicked out (often in a very “burned-out" condition, both psychologically and physically), or they get counseled out.”

This summary is spot on. In addition, perhaps some people who are temporarily out from under the influence and away from other members may just decide not to go back. This is similar to but not quite the same as walking out; it could be that they mentally defected a while back and just waited for the right opportunity to cut the connection! 

Incidentally, Steve Hassan says that 'walk-aways' are often members who have been able to maintain contact with people outside the destructive cult; he also says that walk-aways make up the majority of cult leavers.

Counselling out: newcomers versus old-timers
When it comes to counselling people out, it may at first seem likely that the easiest candidates are those who have been members for only a short time and the most difficult those who have committed many years of their lives to the cause. 

Steve Hassan supports this idea:

“If I am contacted within the first few months of a recruitment, the prognosis for a successful exit within a year is extremely good. On the other hand, if the person has been in the group for ten years when I am contacted, it might be quite some time before an intervention can be successfully attempted...” 

Defence Against the Dark Arts Part XXVI: The artwork of Bruce Pennington

I first came across Bruce Pennington's artwork on the covers of science fiction and fantasy books. I was immediately fascinated; I soon learned to recognise the colourful, atmospheric and evocative style, but the artist's name didn't register with me until l found his art book Eschatus (1976). 

Where there was a choice of editions of a particular book, I would always buy the one with the Bruce Pennington cover: for me they were by far the best versions.

There are many images of his paintings online; included here are just a few of the ones that made a big impression.

These are typical book covers and good examples of his work: